我与超人的冒险

HBOMax与CartoonNetwork宣布预订动画剧集《我与超人的冒险》(MyAdventuresWithSuperman，暂译)第一季与第二季。该动画主角为20多岁的克拉克·肯特、聪明而有干劲的露易丝·莱恩，以及他们最好的朋友吉米·奥尔森。克拉克已经接受了自己是这个大都会(或世界)的英雄的事实，露易丝也成长为耀眼的调查记者，她将有抱负的摄影师吉米·奥尔森纳入自己的麾下。在这期间，克拉克和露易丝坠入爱河，共同分享冒险经历，一起打击坏人，偶尔也能发现一些秘密。杰克·奎德(《黑袍纠察队》)、爱丽丝·李(《闲年友人行》)分别为克拉克·肯特和露易丝·莱恩配音。萨姆·雷吉斯特(《少年泰坦出击》)担任执行制作人。

巴斯金

A squad of unsuspecting cops goes through a trapdoor to Hell when they stumble upon a Black Mass in an abandoned building.

敏感事件

网名“郁金香”的时尚女孩罗小霓（安以轩 饰）以爱咖网为平台，时常上传自己的日常录像。随着越来越多人的关注，罗小霓渐渐成为爱咖网的当家红人，该公司老板罗素更别出心裁，让罗小霓和其男友小武上演一场绑架大戏以赢得更多的点击率。 　　这起足以以假乱真的绑架戏码引起了一个人的关注。他叫李宝宝（冯远征 饰），是一名年过而立却一事无成的落魄诗人，他和妻子的关系已降至冰点，而在这令人沮丧的关隘，正是清纯靓丽、开朗可人的罗小霓给了他莫大慰籍。他看过她每一段视频，似乎了解她的一切。当得知罗小霓遭到绑架时，李宝宝根据蛛丝马迹找到了她被“关押”的地点。却无意中将绑架案变成了真实的事件……

南国再见，南国

高哥（高捷）接到小麻花（伊能静）的电话，赶到夜市见到被揍得鼻青脸肿的扁头（林强），没动手而是找到刑警欲讨公道，却被反抓，明白自己的尴尬处境——原来“弃武从文”只会使自己更难堪。可是以前混黑社会的日子，想想得来的也只有失落。 因为不懂与时俱进，高哥显得很“可悲”，天早换成了另外的天，他却仍固守着原来的那朵云。30岁的他顾家、重情义、有思想，不想在打打杀杀中混日子，可是却无力改变环境，只能想办法适应环境，然而适应的结果，是事业与爱情的双失败。当他和小麻花、扁头在一起，能短暂放松身心，但是他们在食物链中处于相同的一环，能做的，也只是尽量要笑声持久一些。©豆瓣

致命偷情

在与老朋友大卫（欧玛·艾普斯饰）短暂相遇后，艾莉（尼娅·朗饰）试图挽救她与丈夫马库斯（斯蒂芬·毕晓普饰）的婚姻，却发现大卫比她想象中更加危险和不稳定。

情系拉魂腔

市里要主办的拉魂腔三戏汇演，县文化局干部俞渝来到泗州戏的传人麻九爷的家，要麻九爷父子带队参加汇演，老爷子一高兴病倒了，他要儿子继续负责此事。在经历了许多的挫折之后，演出终于获得了成功。

遗产计划

　　Two sisters find their wealthy aunt is terminally ill and plan to get their inheritance, the sisters plan to improve their relationship, but when they find that they are not the only ones in the family with a similar plan.

丹麦小村教堂

The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.　　Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.　　The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.　　In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.　　On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.　　Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.　　The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

带我去兜风

莎拉（Samanta Caicedo 饰）是一个非常孤独的女孩，个性内向不擅交际的她并没有太多的朋友，很多时候，她只能选择独来独往。一天，学校里转来了一位名叫安德里亚（Maria Juliana Rangel 饰）的转学生，安德里亚不仅拥有美丽的外表，而且个性活泼开朗，很快，她就和莎拉成为了好友。

黄花塘往事

本片据真实历史背景，以现代青年小草寻找奶奶的初恋为引子，讲述了来自上海名门的林清涟投奔新四军，与当地民兵李长胜在战场上相遇，又因战争而最终分离的爱情故事。

里长与郡守

儿时一直担任班长的春三(车承元饰)和一直担任副班长的大奎(刘海镇饰)，20年后各自以里长和君守的身份再次相遇。 　　平和、寂静的忠淸道乡村小镇-江德君山村2里。一天，村里开了团结大会，但是村里的里长突然死亡，于是山村2里不得不要选出新里长。村里最有威望的老人说要选一个年轻人做里长，村里的老青年赵春三以唯一的候选人成为了山村2里的里长。春三根本没想过要做里长，但是他以最快的速度和最小的年龄成为了山村2里里长。 　　平时与村里的老人一起打牌为乐趣的平凡老青年春三，对突入其来的里长一职有些压力。有一天春三听说儿时的同班同学，也是在他下面听他指挥的副班长卢大奎将出任君守(比里长级别要大很多。)一职，春三感到非常窝火。曾经的班长和副班长，如今的职位却掉了个个儿，班长成为了里长，副班长成为了君守。 　　掌握山村2里的里长春三和曾被春三压制的君守大奎，俩人再次相遇后开始了无休...

古墓惊魂

安阳带陈羽和朋友们一起去山里的景区玩，那里原来有几座古墓，安阳给大家讲起了爷爷安东当年在那盗墓的故事当年的安东和杨彩又懒又穷，就打起了盗墓的主意。杨彩和安东第一次盗墓挖到一个罐子带回家，里面却是一条老蛇。第二次盗墓，他们挖到一袋金子，却在路途中受到惊吓遗失金子。二人无奈之时却得到消息，古珍新婚之夜吃鸡骨头被卡死了，就葬在后山。安东最后又和杨彩去挖古珍的墓，棺材被挖出来,安东把古珍扶起来，却不想古珍突然复活了。安东和杨彩顿时被吓晕过去……安阳讲完故事，得了抑郁症的陈羽觉得自己就是古珍，安阳和朋友们为了让陈羽醒过来，特意带陈羽找到了和古珍有关的山洞，在众人的努力下，陈羽终于恢复了正常。