当你照亮我

学霸男神薄奕一直暗恋元气少女孙渔，一场电竞俱乐部的危机让两个人的命运有了交集。薄奕出手相助，帮助俱乐部赢得了比赛。本想事了拂衣去，深藏功与名，不料引起了俱乐部老板注意，“利诱”孙渔签下薄奕。至此，孙渔开始对薄奕纠缠不休，薄奕避之不及，却又因辅导员指派一对一帮扶，不得不再次面对孙渔。两人在被迫营业的过程中逐渐互生好

内特拉姆

不受欢迎的青年尼特朗，坏脾气的他就像个不定时炸弹，在公众场合任由行为失控，母亲为了管教身心俱疲，宠溺的父亲会在闯祸后出面收拾残局，让尼特朗变本加厉。他没学可上，成日在街头游荡，社区的孩子总是戏弄嘲笑他，直到遇见年华消逝、古怪却富有的海伦，他认为自己找到了朋友，母亲却觉得这位“新朋友”另有所图⋯⋯。

另一个波琳家的女孩

　　玛丽•波琳（斯嘉丽•约翰逊 饰）与姐姐安妮（娜塔丽•波特曼 饰）美丽动人，如此优点却遭到了父亲与叔叔加以利用。为了提升自己家族的地位与权利，玛丽的父亲要把玛丽送进皇宫当中，成为了当时国王亨利八世（艾瑞克•巴纳 饰）的情妇。                                                                    　　玛丽后来怀上了国王的孩子，但她的姐姐安妮也在这个时候进入皇宫，她要勾引国王以得到宠爱。原来安妮早已对进入皇宫密谋已久，为的是得到国王的宠爱以

小茜当家

电影以一个真实的故事为蓝本，讲述一个原本幸福富裕的家庭，因为飞来横祸爸爸突然离家，家庭一时陷入困境，留下妈妈和孩子支撑家庭，但一次意外妈妈又病重入院，困顿的现实压在了家庭中唯一的孩子，电影小主角年仅10岁的小茜身上。她用自己的力量去背负起整个家庭的责任的感人故事。

水手服与机关枪：毕业

由于之前和滨口组的纷争，弱小的目高组被迫解散。当然这对于现年18岁的女高中生——同时也是目高组现任组长的星泉（桥本环奈饰）来说，却未尝不是一件坏事。自此之后，星泉带着土井（武田铁矢饰）、佑次（大野拓朗饰）、晴雄（宇野祥平饰）等原黑帮成员开起了一家咖啡厅，日常里则享受最后的高中时光。然而人在江湖身不由己，模特诈骗公司和大麻饼干等事件将星泉再度卷入和滨口组的纷争之中。当两方因为误会闹得不可开交之际，来自关东的堀内组则剑拔弩张，勾结不良政客和警察图谋吞并目高组和滨口组的原有地盘。危机当前，星泉只能选择和滨口组干部月永（长谷川博己饰）联手对抗外地的入侵……

火力全开

《火力全开》主要描述了王力宏火力全开演唱会从台前幕后准备到成型再到演出的全纪实，并且在其中穿插很多他从小到大的励志往事，还首次对于其妻子对外进行曝光。《火力全开》记录的不只是一场表演，更记录了这场演唱会从筹备到完成的思想和精神。这部电影忠实记录华语流行演唱会在现今的状态，并呈现出王力宏的音乐创作概念与历程、舞台下平易近人又生活化的一面，以及对梦想的坚持和发光。无论观赏《火力全开》3D电影的观众们是不是王力宏的歌迷，都能从中一窥音乐之于世界的力量，成为东西文化交流的种子。

2月4日 22-23赛季德甲第19轮 奥格斯堡VS勒沃库森

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

最伟大的

爱子班尼特（亚伦·泰勒-约翰逊 Aaron Taylor-Johnson 饰）的意外身亡让身为父母的艾伦（皮尔斯·布鲁斯南 Pierce Brosnan 饰）和格蕾丝（苏珊·萨兰登 Susan Sarandon 饰）痛不欲生，两人之间的关系也降到了冰点。在绝望的情绪弥漫了数月之久后，一个名叫罗斯（凯瑞·穆丽根 Carey Mulligan 饰）的女孩的出现打破了压抑的平静。

被遗忘的天使

五十年代，刚给苏联入侵的匈牙利。年仅九岁的阿朗，因为父母离异，给丢到孤儿院去。大气候风云变色，小小年纪的他，不得不提早面对成人世界的生死、爱欲和残酷。孤儿院内充满各色人等，有虐待狂的院长自然是大反派，下放到来教书的异见份子科学家跟阿朗是忘年交，还有一众人细鬼大的小孤儿喜欢偷窥美丽的女舍监。纵然孤儿院的生活不好过，但是有一班同龄院友陪伴，总算可以冲淡心底哀愁。阿朗和几个小孤儿，最后仍联袂出走，寻找茫然不可知的未来。

抢红

朝不保夕的司机张水（张涵予 饰），受上司方长方（王耀庆 饰）利诱，答应亲赴法国邀请义弟韦力（黎明 饰）帮忙参加天价红酒的竞拍。张水谎称为国家执行秘密任务骗得韦力的信任，一同前往品酒大会。拍卖现场，张水意外的发现指使自己来参加拍卖会的老板方长方也在现场，而此时的方长方好像从没认识过张水...品酒会的主持者利芳（杜鹃 饰）与各路买家逐一品酒，只有通过考验的人才可以参与到竞拍环节。利芳同父异母的哥哥LK此时在众人之外静静的看着所发生的一切，谁也想不到，拍卖会的真正目的根本不是卖酒……

圣路教第二季

Hulu已续订《圣路教》第二季。