朵朵出生的时候，老天并没有赋予她一双可以走路的脚。然而她的生命中没有缺少父母的爱，她接受手术后获得一双可以走路的脚，并获得了她生命中的第一双鞋。她相信巫婆的预言，相信黑羊和白羊会带给她幸福。但是在日常的生活中朵朵不停的搜集美丽的鞋子以致要专门用一间屋子存放。 长大后的朵朵（徐若瑄饰），到了童话书籍出版社上班，她爱童话也爱幻想。透过神秘插画家的介绍，她认识了牙医诊所的主治医师，一名微笑牙医（周群达饰）。最后借着黑羊与白羊的牵引，他们结了婚，走进了幸福的生活。但是一场意外突然到来……
身负盖世武功的华英雄，因受天煞孤星之困，远离亲友，孤身独闯火鸟岛，为解华、赤两家之恩怨，途中与把守外围的火鸟交战，几经困险，终达火鸟岛。在岛上，英雄藉其精湛医术，为居民解除困苦，深得岛民称赞，得见小堡主赤焰，并结识南北二老及紫衣等人。英雄见岛上生活休闲，决留下居住，帮助岛上居民。堡主赤炼鹰王诈死练功，神功初成之日，复出揭露华家罪孽，英雄被捕定罪，全岛居民上下求情，鹰王与英雄公平比试，最后英雄以德以武服之，并愿留下重振赤家，终于鹰王冰释前嫌。英雄儿子华剑雄，天资敏悟，身手灵活，不肯跟自小养大他的生奴学医，反爱到处游玩闯祸，某日结识无影门人余不为，被卷入与琼天和司徒莫问的三角恋情中。而莫问乃气宗司徒无量的儿子，无量为扬名立万，强要儿子勤练武功，莫问迫于与琼天分手，刚巧遇上剑雄，不为和琼天在一起，误会加深，大打起来，最后无量解围，并扬言三日后血洗无影门。不为负伤前往通知，剑雄仗义送他上山，生奴发觉，尾随追上恐剑雄闯祸，途中巧遇无量等人。生奴当年乃无量之恩人，并传与生奴一式无量神掌，现久别重逢，盛情下齐上无影门。大战结门，无量父子血洗无影门，只有不为能逃脱，剑雄为救不为一命，愿接莫问十掌，怎知七掌后已负伤，生奴迫于代接，最后一掌惨死当场，剑雄悲痛不已，抱走生奴，但不为始终也逃不出莫问的魔掌。生奴死后，剑雄意志消沉，无量为补偿负约之误，决传功于剑雄，剑雄亦开始重新做人。某日在执拾生奴遗物中得知要往赤家，收拾心情毅然前往。途中巧遇踏雪，感情有所发展，可惜临危散乱，失去踪影。到达岛后重遇思傲，两人被赤焰等误会，怀疑是奸细，最后得知是英雄之子，误会全消。英雄父子重遇，解释分离之情，并愿留下帮助赤家，于是亦展开英雄、紫衣及赤焰和剑雄、踏雪、思傲的感情发展，当然有明有暗，有惊有喜，最后剑雄终与踏雪成亲，而地狱门方面，要求剑雄完成前任掌门心愿接任掌门。剑雄尚在考虑，怎知引起莫问猜疑，夜袭踏雪家，多名叔父们惨死，踏雪也被捉，剑雄决与莫问誓不两立，毅然断臂解除与无量之恩义。而堡中思傲与紫衣亦神秘失踪，英雄父子怀疑地狱门所为，两人动身前往地狱门。途中发现紫衣中毒，英雄与紫衣寻药解毒，剑雄先行上路，途中血族三煞迎接入内，剑雄得知目前分裂情况，戾气日重，魔气日盛，于是决心改变，一改颓风，勤练奇招。英雄为救紫衣，不惜冒险，紫衣十分感动，最后药到病除，齐回地狱门，元老会首领元老..
一名英国女子的秘密和充满暴力的过去因为超市里一群持枪劫匪而暴露，她在巴塞罗那的宁静生活也随之失控
娱乐界赫赫有名的经纪企划公司大老板世勋，偶然间遇到了不食人间烟火的山村姑娘伊玲，认为伊玲是个难得的明星材料，各种穷追猛打要将她收纳为自己公司的旗下艺人，而伊玲从小深受儒家教育思想熏陶，对做明星丝毫不感兴趣。两个性格如同水火一样的男女就此展开一段奇妙的缘分。世勋突然恍然大悟自己和伊玲不是伯乐和千里马的关系，而是从最初就是一见钟情。为了自己心爱的那个她，他展开了一段由“王子”变身“屌丝”的历程。
故事发生在1963年的德国，时值冷战期间，德国女汽车技师嘉比（艾丽西亚·维坎德 Alicia Vikander 饰）的父亲是一位精通核武器的专家，最近，有证据表明他正在帮助纳粹制造核武器，来达到统一全人类的邪恶野望。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
艾德里安（马里奥·卡萨斯 Mario Casas 饰）经营着一间科技公司，事业蒸蒸日上，家中有美丽贤惠的妻子和活泼可爱的女儿，事业家庭双丰收的他是旁人羡慕的对象。然而，野心勃勃的艾德里安并未珍惜眼前来之不易的生活，一直以来，他和一位名叫劳拉（芭芭拉·蓝妮 Bárbara Lennie 饰）的女摄影师保持着肉体关系。
故事发生在日寇入侵我国东北三省之时。绿林好汉关东好，在一个偶然的机会救下了惨遭日军轮奸的少女。少女被救后毅然加入了以关东好为首领的绺子，并渐渐练就一身好骑术和一手好枪法，被人们誉为关东女侠。一次，关东好被日军抓去，在被押往刑场的路上，关东女侠率马队飞驰而来，救下关东好。混乱中，日本小队长击中关东好。关东好的伤势日趋恶化，一天，在老营关东好当众宣布将绺子大旗交给关东女侠，从此她将成为一方绿林的头领--大当家，按山寨规矩，关东好宣布完举枪自毙。第二天，关东女侠只身策马进城为关东好报仇。身为二当家的四虎紧随其后。关东女侠扮成男商人进城后，发现一名叫三月兰的妓女凭借自己的姿色每晚设计诱杀日军，随后便在墙上留下关东女侠的大名。关东女侠劝其不要再打自己的旗号。正说着，遇上日军来追捕。关东女侠慌忙躲避，误入日军浴池，在四虎的配合下，将浴池中的日军全部击毙。日久天长...
9月4日 22-23赛季英超第6轮 布莱顿VS莱斯特城
这部影片改编自真人真事，该事件在意大利可谓是人尽皆知。一名名叫艾伦娜-恩戈拉罗的年轻女子的生命将在17年的植物人状态之后结束，而意大利全国也因是否让其安乐死这个问题引发了一场争执。影片则通过几个拥有不同信仰和身份的角色来看待这个事件。一名参议员纠结于自己是否要为一项不赞同的法律投赞成票，他的良心和他对于自己党派的忠诚让他深陷矛盾之中。他的女儿玛丽亚则是生命维护主义者，她一直在艾伦娜就诊的医院前进行抗议。罗贝托兄弟则与玛丽的意见恰恰相左，但阴差阳错之间罗贝托与玛丽亚竟然陷入爱河。这是一个有关生命的议题。
他们是一对房地产经纪人夫妇，生活平淡无奇。妻子的剧变将二人送上一条死亡和毁灭的不归路，不过这也并非一桩坏事。 茜拉为何变成了不死族？乔尔在疯狂的道路上已无法回头了？埃里克和艾比只是朋友？难解的问题越来越多，正如那越垒越高的尸体。