正在播放: 人在旅途 | 第26集

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  • 2019 5.0

    红星照耀中国

    《红星照耀中国》电影剧组创作灵感及素材就取自同名报告文学——美国记者斯诺根据自身经历创作的《红星照耀中国》一书。影片主要讲述的是1936年美国青年埃德加·斯诺冒险来到中国红色革命区域的的亲历见闻,在采访和见证了毛泽东、周恩来等共产党领导人,以及红军战士和苏区百姓的风采之后,斯诺以饱含激情的生动文笔写成了《红星照耀中国》一书,该书出版后轰动世界,使全球第一次了解到了彼时艰苦抗战背景下中国共产党的真实情况。

  • 2007 8.0

    蹩脚英语

    35岁的诺拉(帕克•波西 Parker Posey 饰)是曼哈顿的一个成功的职业女性――她是一间高级酒店的客服主管。虽然她精明能干,一眼就能看穿客人的需要,但是她却一直未能找到自己的爱情归宿,她在处理感情方面简直一塌糊涂。诺拉曾同酒店的客人――明星尼克发生过关系,但当她满怀憧憬的时候,才发现对方不过是为了演出而和她体验生活。                                                                    在一个个“第一次约会”失败后,心灰意

  • 2013 3.0

    情逆三世缘国语

    督察袁金昌(欧阳震华饰)和电视女主播杨夕雪(关咏荷饰)相恋多年,在一次办案中,袁金昌误杀恋人夕雪,无限悔恨的他灵魂出窍,穿越时空,现身于宋朝,摇身一变成了包青天。他运用现代知识,与开封六子屡破奇案。不久,他遇到一个叫韩霜霜的女子,惊讶地发现她与夕雪长得一模一样。可惜霜霜生性冷傲,且遗忘了前世所有记忆。不过,二人在查案过程中渐渐互生情愫。然而这一世注定悲剧收尾,霜霜再次死于他手中。苦痛中他再次穿越时空,来到了50年代的香港,再次遇到了与夕雪长得一样的女子,二人命运再度缠绕,这一世,是缘分还是劫数……三段时空,三世情缘。宿命能否逆转,有情人能否终成眷属?

  • 2015 3.0

    梦开始的地方

    本片以内地新疆高中班为素材,通过讲述内高班各族学生在内地学习生活,成长的故事,生动展现了党和国家对新疆各族青少年的亲切关怀,并通过一群飞出边远地区在内高班学习的新疆孩子来折射出新疆这篇土地上各族群众共同团结进步,共同繁荣的真实生活状态。

  • 2003 10.0

    生存岛历险记

      为了参加学校举办的摄影大赛,三个少年偷偷登上渔船并误入一个荒岛,在岛上意外发现了制造走私光盘的犯罪窝点。他们在恶劣的自然环境中运用自己的智慧和勇气与狡猾凶狠的罪犯做斗争,在经历了一番生死考验后,他们战胜了各种困难,成功协助缉私警察擒获了罪犯。

  • 1947 1.0

    丹麦小村教堂

    The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.  Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.  The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments.  In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.  On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.  Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.  The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.

  • 2015 5.0

    仅此而已

    黑砂真男(染谷将太 饰)是一个生活在社会底层的小混混,他没有亲人,没有户籍,没有工作,犹如夹缝里的蝼蚁一般卑微。某日,真男目睹了一位名为惠比寿大吉(涩川清彦 饰)的男子将一个神秘的包裹藏进储物柜的一幕,将此当成他时来运转的机会。真男抢走了包裹,却发现里面只有一块冷冰冰的硬盘。  实际上,这块硬盘里存储这一个惊人的秘密,导致真男遭到了黑道的追杀,最终沦为囚徒。在监牢里,他结识了一名妓女(水野绘梨奈 饰),两人决定联手逃出去。在真男的好友猪神乐彦(村上淳 饰)的帮助下,两人获得了短暂的自由,但很快就再度被抓,这一次,他们要面对的是冷酷无情的杀手千手完(绫野刚 饰)。

  • 2011 9.0

    守望者:罪恶迷途

    楚小莉(黄圣依 饰)和三名好友结伴寻访库依族文化,途中他们希望借宿小莉父亲的朋友家,然而主人不在,只有一个阴森森的男人接待了他们,恐惧也旋即降临。

  • 2008 3.0

    苍井优×4个谎言

    你的一生中,究竟说过多少次谎言?以“谎言”为命题,苍井优与四位活跃于广告、电视、电影的制作人合作,打造四个各具特色的小短片,每个短片都有三个部分,共十二集。而苍井优则在里面出演四个性格、生处环境都完全不相同的人。   四个章节分别是《人生如同一场谎言》、《蔷薇色的日子》、《赤羽三姐妹》和《都民 铃子 -百万元和苦虫女 序章-》。故事以各种形式展现,包括舞台、情景剧等。而“谎言”在这里,不仅仅只是口头上的撒谎,它被拓展到更深的涵义。可能是难以置信的灾难、自己编织的梦境等,难以定义好坏的“谎言”二字,由你判断。下面,请进入谎言时间。

  • 2013 1.0

    娘心

    《娘心》讲述的是清末民初,蔡王两家的豪门恩怨:蔡家小姐蔡招弟(符荷晴饰)爱上了王家少爷王世鸿(宗峰岩饰),王世鸿却已有爱妻李玉卿,蔡招弟与王家老爷王添财(任学海饰)联手设计陷害了李玉卿后如愿嫁到王家。长工阿荣(任天野饰)和养女小玉(马雅舒饰)照顾李玉卿的儿子天晟,并化名阿忠和彩霞进入王家,调查李玉卿死亡的真相。

  • 2013 5.0

    善恶双生

    杰森·柯尔(史蒂文·帕斯奎尔 Steven Pasquale 饰)是一名备受尊敬的神经外科医生,他似乎拥有了一切——令人仰慕的事业、充满自信的成熟魅力和天赋一般的职业技术。但他同时有种最深层和黑暗的秘密。一天早晨他在一间破旧的旅馆中醒过来发现自己身处许多半裸女人之中就自己完全不知道这是怎么发生的一样,于是他直到“那个人”又出现了。 每天夜里同一个时刻杰森都会发生变化,一个全新的人格会出现在他的体内,这个“新人”就是伊恩·普锐斯。伊恩是一个鬼魅、狡猾、边缘同时具有强烈反社会的人格,这些年来他一直试图压抑这种名叫“分离性身份识别障碍”的疾病,但现在伊恩在他的体内开始出现了抗体再一次获得了自由。于是伊恩在杰森的周围报复每一个关心他的人,他的父母、朋友、同事甚至是爱人,杰森必须阻止伊恩并结束这一切。

  • 2005 3.0

    盾牌第四季

    一部极具争议性的连续剧,打破了传统警匪片套路,刻画了性格复杂的警察,他们在与各种罪案做斗争的同时,也面临各种自身问题的困扰,彻底打破了“警察就是好人”这种简单的界定。忠诚耿直,嫉恶如仇的维克与妻子分居,所以非常宠爱三个孩子;办案时他只遵循自己的一套方法。他的手段虽然有效,却没有得到其他同事的支持,曾是他亲密搭档的夏恩,成长为一名思想和行为相对独立的探员。以前曾是Strike组成员的柯蒂斯也看不惯他粗野的办案方式。但是在家庭暴力科工作的莫妮卡-罗琳,重返Farminghton后大胆启用维克,不但在警察与社区间、警察与黑帮间,甚至在警察内部引发了极大争议。

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