舞蹈员叶秀雯(叶佩雯)在结婚前与准新郎闹翻了，因为撞破他与旧情人仍在交往，他一失变成一得，在追逐旧爱时却觅生命最爱，邻居好友芳方(吴辰君)自资开创芭蕾舞学校，自以为拥有家传秘方方御夫术，定可事业爱情两兼顾，驾驭同居男友齐仁煇，却从不了解男人永远野情难驯。他们在康庄的爱情道上还是不停地左顾右盼，找寻新刺激新事猎物。今回仁辉看上了路边的野花，以为这个中国舞蹈员是邻家小妹妹，可以令他偷试云雨情，享尽齐人之艳福，那知世事总有莫名的布局……
故事讲述住在冲绳离岛上的桥本骏(村田 配音)，结识了失去父母的孤独高中生知花实央(松冈 配音)，两位少年成了好友。实央为了快点成长为大人，决定离开本岛，两人渐渐断了联系。3年后，实央却再次出现在骏的面前，还大胆告白。
沙漠国家特拉基斯坦发生暴乱后，世界格局进入了一个全新的时代。这个已被战火摧残得四分五裂的国家，居然被一个由前美国副总统经营的私人企业所占领。为了垄断战后至关重要的供给线，公司高层雇佣了一个不受国籍限制的杀手布兰德·豪瑟（约翰·库萨克 John Cusack 饰）。然而多年前早已向上司沃肯（本·金斯利 Ben Kingsley 饰）提出金盆洗手的布兰德，并不知晓此次任务其实是一个陷阱。几年前，布兰德妻子被杀女儿失踪，布兰德饱受心魔折磨。布兰德这次任务是被派去刺杀中东的石油部长，为了能够顺利完成任务，布兰德伪装成企业的贸易展商，参加中东一个当红明星尤妮卡·贝贝耶（希拉里·达芙 Hilary Duff 饰）的婚礼。与此同时，布兰德不可自拔地爱上了一个性感的左翼激进派记者娜塔丽（玛丽莎·托梅 Marisa Tomei 饰）。然而事实真相却再次让布兰德走向崩溃的边缘。
该片是以朝鲜时代的学堂为背景，讲述年轻男女充满好奇心和戏剧性的故事，被妙龄女子非礼的年轻书生没想到事情曝光，学堂里也洋溢着浪漫的爱情氛围。该片也被称为是朝鲜时代版的《色即是空》。
永祥（周华健 饰）的家庭矛盾随着香港九七回归临近而有所抬头，因为妻子凯迪（叶童 饰）坚持要移民加拿大，而永祥则觉得暂时不是时候。正当大环境面临着变迁的时候，永祥的公司内部也发生了一场地震。 永祥的配音公司新来了女上司邓铃（钟丽缇 饰），并要开除一直以来很照顾永祥的添叔。起初，永祥不相信添叔做了些违反纪律的事情，但是，一次录音事故，却让他不得不怀疑添叔的确在暗处捣
段正严为知摆夷人谋反真相，与阳慕华深入，并与乔装为王子的公主召波温相识，结为兄弟。而温婉贞于幕后捣鬼欲害段誉，阳慕华配合段正严化解干戈，召波温徘徊于爱和使命之间不以自己。为段而死，温婉贞穷途末路……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
禁断之恋题材影片；原文机译内容：1983年5月，一个人转49，并与他17岁的儿子，行程，村里在巴登，他尚余40年。他想找出发生了什么事的话，关于婚外情的真相他的母亲有战争的年轻的波兰囚犯，当局如何来学习它，恋人被逮捕，和善后事宜。而他的儿子采取宝丽来照片，他追溯了他的童年和采访那些谁应该记住的步骤。这个故事被公开在倒叙，重点恋人（宝琳娜和斯坦尼斯劳斯），在嫉妒和纵容的邻居，和迈耶，当地指挥官的SS谁想要找到出路的必然后果。
这部新纪录片对美国孟山都公司的名誉发起了另一轮剧烈冲击。美国孟山都公司是全球最大的化工公司之一，也是全球90%转基因作物的种子技术的提供者。这部名为“孟山都公司眼中的世界”的法国纪录片由独立导演Marie-Monique Robin执导，影片为观众展现出一家长期危害环境 、制造卫生健康丑闻的公司的可怕嘴脸。
霓虹璀璨的摩登都市，一场有预谋的“犯罪计划”正在拉开帷幕…… 国内首屈一指的网红公司FT娱乐举办了一场粉丝与网红偶像共襄盛举的大型娱乐活动。宅男黑客一风为了接近与自己失踪多年的女友高度相似的网红娜娜，调查事件真相，果断报名参与游戏。殊不知，阴谋也渗透进入了游戏之中……
超人气漫画<约定的梦幻岛>将拍摄真人电影，浜边美波主演，出演了<小偷家族>的城桧吏，板垣李光人共演。 平山雄一朗导演执导本片，2020年冬季公映。