2005年7月4日，美国独立日当天，沉浸在欢乐气氛的得州亚比里安市人民突然迎来巨大灾难。一个带着死亡气息的蘑菇云在市中心升起，亚比里安从此在地球上消失。这一事件引发了针对伊朗、叙利亚、北朝和阿富汗的第三次世界大战。战争在美国境内引起一系列的问题，能源短缺、人权侵害、种族主义、极端主义、政治动荡……全美上下一片混乱。 在2008年大选之际，与共和党有着千丝万缕关系的动作明星鲍克瑟·桑塔罗斯（巨石强森 Dwayne Johnson The Rock 饰）失踪，当他再次出现时却已失去记忆。不久，他邂逅色情片女明星克瑞斯塔·瑙（莎拉·米歇尔·盖拉 Sarah Michelle Gellar 饰），一个攸关全人类命运的故事就此展开……
警方接到报警电话，地产商张志国的女儿张静楠（火麒麟饰） 被人绑架。当警方赶到张志国家，张志国却说是个误会，说他女儿和他吵完架赌气离家出走，他找不到女儿才报了警，后来又接到他女儿的电话，说她和同学一起去旅游了。当警察要求提供张静楠的电话核实情况时，张志国却说现在联系不上女 儿。张志国这样的回答让警方产生了怀疑，警方派出重案组资深警长罗志晨（王威饰） 围绕张志国和他女儿进行隐秘调查。与此同时在城市的另一处废弃的化工厂里，警察正在忙碌的勘查现场，在这里刚刚发生了一件匪夷所思的案件，一条狗被人用枪打死了，为什么要用枪去杀一条狗呢？这件看似一般的涉枪案件却引起了警长罗志晨的怀疑，两件案件有什么关系？在案件深入调查当中，一个罪恶的房地产开发强拆内幕被揭开。 影片签约美国和香港著名演员加入拍摄，通过惊悚、悬疑、曲折的故事情节，并混入人物内心深层矛盾的情感元素结合剧...
龙重九回雁山接柳非春，路上遇到几人追赶一个孕妇，他施以援手，孕妇生下孩子后咽气。龙重九带着婴儿在路上遭杀手多次截杀，并因杀人抢婴罪上了通缉令。柳非春带他躲进朋友俞庭柯家。俞庭柯的养父是大富商俞山，俞山有一个脱离父子关系的儿子俞白。龙重九探知孩子的母亲身份赶回俞家，又得知孩子父亲正是俞白，俞庭柯想要杀养父的亲生儿孙，夺俞家财产。俞家葬礼上，俞山正要宣布将俞家交给俞庭柯，龙重九闯...
“兔子叔叔”意外滞留武汉，无奈之下到医院当了清洁工，在“生死考验”下依旧乐观地鼓舞身边人；货车司机老杨和90后司机冬至在1000公里的漫漫路途中共同成长，为武汉送去爱和温暖；“双冷一怕怕”的夏医生与“三笑一积极”的妻子卢医生共赴疫区，展现别样的“战地夫妻情”；婆婆与儿媳在共同隔离期间，婆媳大战一触即发，但“统一战线”也在慢慢形成；医务人员、解放军、志愿者们主动请缨，携手逆行抗“疫”，盼到了火神山医院建成，重症病人得以收治；方舱医院里，各有特点的轻症患者组成了苦中作乐的“临时家庭”，感受着不同的患难真情；即将退休的吴医生主动承担起幸福社区的筛查工作，新手公务员小邹成为搭档，老少组合协力完成琐碎的基层工作，社区小事传递着人间大爱。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
每个韩国家庭餐桌上都会有一碗简朴的好汤，伴随三位主持人一起在韩国各地探索汤品的历史和演变。
無論在喧鬧市區抑或隱蔽角落，好喝的咖啡總在你意想不到的地方。好啡不怕巷子深，熱愛咖啡的陳豪和袁偉豪將會搜尋各方線報，帶領觀眾探索港九新界各區咖啡店，尋找靚啡之餘，亦會發掘裝潢別具心思、甜點別緻的隱世及優質咖啡店，為市民及旅客編寫一本全新的《香港咖啡手冊》。
李金刚李老头突然去世的消息在艺术团传开了，大家因为老李在家里停止呼吸三天才被发现的事都感慨不已，纷纷陷入了空巢恐慌。团里的邱顺天终于为大家创办了开放式的自由养老院，那里没有围墙只有欢乐有歌声也有爱情。
1944年的德國正值世界大戰，少女蕾娜的母親是德國人、父親是非裔，她因為膚色飽受壓迫；然而，她和希特勒的青年軍魯茲情不自禁地墜入愛河，為此兩人更陷入險地...
小风是一个安静的喜爱绘画的青年，每天都背着画板在城市各处流连。有一天，失踪了1年的恋人小绿突然回到了他的身边。小风又开始了跟小绿甜蜜的生活，然而小风的哥哥并不同意他跟小绿在一起。画廊老板LINA姐也劝小风跟她一起出国。小风坚持要与小绿在一起，最终跟哥哥发生了剧烈冲突，小风晕倒在地，再醒来却发现小绿和哥哥都不见了踪影。小风冲出门寻找，却在家旁边的巷子抓到一个带头盔的人，掀开面罩，那人竟然和自己长的一模一样，后面的发展越发离奇……