Anna is stuck: she's approaching 30, living like a hermit in her mum's garden shed and wondering why the suffragettes ever bothered. She spends her days making videos using her thumbs as actors - thumbs that bicker about things like whether Yogi Bear is a moral or existential nihilist. But Anna doesn't show these videos to anyone and no one knows what they are for. A week before her birthday her Mum serves her an ultimatum - she needs to move out of the shed, get a haircut that doesn't put her gender in question and stop dressing like a homeless teenager. Naturally, Anna tells her Mum to "back the f-off". However, when her school friend comes to visit, Anna's self-imposed isolation becomes impossible to maintain. Soon she is entangled with a troubled eight year old boy obsessed with Westerns, and the local estate agent whose awkward interpersonal skills continually undermine his attempts to seduce her.
Paris, 1981. The winds of change are blowing on election night and the French storm the streets, elated. But Élisabeth (Charlotte Gainsbourg) struggles to share the general mood of optimism. Her marriage is coming to an end and she will now have to support her family. She is distraught, and her father and teenage children are worried that her tears simply will not dry. But what if listening to her emotions could help her to start filling the blank page of her future? What if she were to write a letter on a whim to the host of her favourite radio programme? Or invite a homeless girl into her house? What would happen if she were to make the kind of gestures that actually change lives? In this follow-up to the beautiful Amanda, Mikhaël Hers directs his hypersensitive gaze at the 1980s and the seemingly mundane moments in one family’s life that shape indelible memories. A large number of characters populates this nostalgic saga of self-invention. The director honours their vulnerability and kindness in a way that stands out in a cinematic landscape more often fascinated by disillusioned antiheroes. This is film at its most profoundly intimate and mesmerising, the kind that, when we reflect on how we function as a society, gives us an idea of why love matters.
改编自歌手王琪作词作曲并演唱的同名歌曲，讲述的是一段刻骨铭心的都市爱情故事，故事主人公经历了误解、和解，最终有情人终成眷属。
2014年韩国限制级电影 ;妩媚的女演员是一种乐器，与人的关系她在影片中的演员在现场的人定居的直率和坦诚思想等通过她的经验大胆的面试和看不加思索。
1940年，瓦里安·弗莱带着3000美元和一份濒危艺术家和作家的名单前往马赛，他希望能在几周内帮助他们逃离。相反，他在那里呆了一年多，努力获取假证件，筹集紧急资金，安排难民穿越西班牙和葡萄牙，在那里登上更安全的港口。他的许多客户包括……
What would you do if you could change the past?
《菩萨咒》讲述阿玲与家人巨金投亲，不料途中遇海盗打劫沉船而丧生，并变成了孤魂野鬼，只有其妹妹被救获。少女阿金开罪了阿玲，把阿玲镇于河底，以示惩戒。阿金父母请来居士以法术救出阿金，阿玲利用黄金买通邪派巫师马安对付居士。马安法力不济，往求师父杨泽霖报仇。居士为了不让阿玲利用金钱找人与他作对，决取走黄金。杨作法迷住居士，将人及黄金带走，把居士押于地牢。
该剧讲述了日本战国时代，女城主井伊直虎以男儿之名继承家业，为井伊家的生存、兴旺而奋斗一生的故事。 井伊直虎（平假名：いい なおとら，1536？—1582年），别名次郎法师，法号祐圆尼。是日本战国时代的女性领主。远江井伊谷（静冈县滨松市（旧引佐郡）引佐町）的国人井伊氏当主，有“女地头”的称呼。与井伊直亲有婚约，但终生未婚。是“德川四天王”之一——德川麾下名将井伊直政的养母。
丁安安（白允然）與雍晴（林姍姍）兩個表姐妹自小就讀於同一所女校，因二人的母親（韓瑪利、蘇杏璇）一向口和心不和，從小就向自己女兒灌輸好勝思想，因此形成安安與晴從小鬥到大，三日一小吵，五日一大鬥。 她們在校中認識了男同學米高（張衛健）及保羅（陳俊國），很快成為情侶，兩對小冤家後來因鬥氣竟然互調了男朋友…… 本人八卦: 本片是张卫健的荧屏处女作，而他的荧屏初吻自然也献给林姗姗。林姗姗在当时小有名气，和陈百强的合唱曲目也是本片的插曲《再见Puppy Love 》是她的代表作品，同时她还有主持和电影差不多同名的节目《三个小神仙》。据说她还是发现郑伊健的经理人……
一次溺水意外，让夏米（杨颖饰）失去了双亲，是渔夫叔叔给了她第二次生命。她发奋努力，凭借会唇语的优势，在律师事务所担任助理调查员，并适时地抓住机会，拿到了一次去马来西亚美丽海岛的调查机会，因为客户怀疑游乐乐（彭于晏饰）在实行诈骗。她一上岛，就目睹了一场海盗劫持人质的事件，她及时出手相救，没想到竟然闹出笑话。原来，游乐乐喜欢独出心裁帮恋人制作创意婚礼。经过几次捣乱，游乐乐和夏米成了欢喜冤家。夏米假装不要工钱，替游乐乐打工，希望能够挖到他诈骗的犯罪证据。然而，在撮合了一对即将结婚却闹分手的恋人郝常（朱雨辰饰）和苏菲亚（周扬饰）之后，他们加深了了解，冰释前嫌，并且暗生情愫。而就在这时，客户出现了，夏米赫然发现他和游乐乐是同父异母的兄弟，而且在一番明争暗斗之后，她还揭开了一个惊人的秘密……
十个人在荒野中独自生存，最后幸存的一个人获得奖金50万美元！ 10 survival "experts" attempt to survive alone. The winner receives $500,000.
以日本战国时代为舞台背景的四格漫画《和殿下一起》正式确定动画化。原作目前在MEDIA FACTORY的月刊漫画杂志《COMIC FLAPPER》上连载，作者大羽快。漫画截止11月已经发行4卷，并在今年6月发行了第一张DRAMA CD，预定在本月末发售第二张DRAMA CD。 《和殿下一起》是以战国时代的武将为主，恶搞历史事件的一部爆笑作品。作品中有众多的战国名将登场，并且这些被称作“殿下”的战国名将在作品中基本上都充当被属下吐槽的对象。例如武田信玄这种半路出家的武将，年轻的时候充当毒舌角色，到了功成名就之后就沦落为被属下吐槽的对象。作品中的故事相对独立，前后没有连贯性。并且随着作品的连载，恶搞程度越来越加强。比如伊达政宗的眼罩控和长宗我部元亲的女装癖。此外，作品中时代名称的变迁以及一些不为人知的小故事，都是取材自历史典故，有证可考，这也是本作的一大特...