因自神时代以前就传承下来的【神月祭】而沸腾的 迷宫都市 欧拉丽—— 身为【小新秀】给都市带来热闹的冒险者贝尔·克朗尼 及其主神赫斯缇雅，正置身于这喧嚣当中。 将夜晚的黑暗照亮，并淡淡地覆盖在各色各样的摊位和集会 以及都市全体之上的月光。 距离都市的喧嚣极为遥远的高空中，月亮静静地伫立，只是在那里等待着。 等待着英雄的诞生，以及全新冒险谭的开始——
又名《野人泰山》，是有声片时代拍摄的第一部泰山片男主角是奥运游泳健将约翰尼．韦斯穆勒，与莫琳奥沙利文饰演的珍形成英雄美人的配搭，在三十年代曾轰动一时。剧情描述英国女孩珍与父亲及男友一齐前往非洲找寻大象的墓穴。途中，珍碰到危险失声尖叫，被泰山从树丛中摆荡而出，将她救到树顶。从此，珍便情不自禁爱上了泰山。后来，珍等一行人遭野蛮的矮人族俘虏，几乎成为黑猩猩的点心，幸好被泰山率领一群大象前来救出人质。导演W．S．范戴克将无拘无束的原始生活气息表现得颇为令人神往，外景与森林内搭景的配合也几可乱真。由于本片当年在商业上的成功，男女主角一共拍摄了六部泰山电影。
After their teenage son is killed in a car crash, Paul (Andrew Sensenig) and Anne (Barbara Crampton) move to the quiet New England countryside to try to start a new life for themselves. But the grieving couple unknowingly becomes the prey of a family of vengeful spirits that reside in their new home, and before long they discover that the seemingly peaceful town they've moved into is hiding a terrifyingly dark secret. Now they must find a way to overcome their sorrow and fight back against both the living and dead as the malicious ghosts threaten to pull their souls - and the soul of their lost son - into hell with them. Written by Dark Sky Films
梦瑶（黄奕 饰）是一位单亲妈妈，和女儿雯雯（程小夏 饰）过着相依为命的生活，为了赚钱养家，梦瑶从事着网络女主播的工作，日子过得虽然非常的辛苦，但只要能够和女儿在一起，梦瑶觉得吃再多的苦都无所谓。雯雯马上就要到上学的年纪了，梦瑶带着她搬到了一处便宜的离谱的学区房里，也就是从这一刻起，母女两人的命运被改变了。 新家里的气氛十分的诡异，常常出现科学无法解释的奇怪现象。
故事讲述一个发生在2012年底，听起来很不靠谱的爱情童话：两个刚刚失恋且毫不认识的年轻人，因为一次偶遇，误打误撞的一起过了一晚。于是走到了一起，并一过就是50年。片尾，当老迈的男主角问女主角“咱俩的事靠不靠谱”的时候，女主角的回答50年没变：“不靠谱”……
该片讲述生于怪盗世家的男主郑亦轩，因多年前父亲的意外去世而家道中落，虽然生活在苦闷的现实中，却一心想成为像父亲一样的超级侠盗。郑亦轩与被赶出家门的富二代黑客纪辰组成了搭档，但两人一直做的都是小打小闹的小事件，空有一身绝技无处施展。直到两人遇到了一个身份神秘的美女余夏。经过一番挫折，三人组成了一个新的神偷组合，开启了一个偷盗绝世名画的大行动。然而郑亦轩并不知道这次的行动的背后竟然隐藏着父辈的秘密。
《王牌宫女》是一部由赵世尧导演的电影，影片讲述李礽从小被推上太子之位，被迫身处政治斗争漩涡的中心，实则极其不喜官场的尔虞我诈，最大愿望是当一个文人墨客浪迹天涯。但因是太子身份，愿望看似遥遥无期，直到遇到来自宫外的萌萌，被她感染终令让他下定决心，抛弃太子身份，追求自己想过的生活。
"还以为是古董呢，原来是宝物？！” 挖地做生意的盗墓贼来了！ 姜东九（李帝勋饰）是天生的盗墓贼，他只要闻到土味就能找到宝物。 他遇到了自称是韩国印第安纳·琼斯的古墓壁画盗墓专家琼斯博士（赵宇镇饰）、传说中的铁锹达人（林元熙饰），组建了梦幻般的团队，培养了危险又刺激的盗墓版图。 另外，了解他才能的美术界精英馆长尹室长（申惠善） 向姜东九提议了既有魅力又危险的交易...！ 黃嶺寺金铜佛像，高句丽古墓壁画，还有首尔江南中心宣陵！ 越卖越大的盗墓世界！ 不同级别的铲子开始了！
尽管员工在财务方面做出了巨大牺牲，公司也获得了创纪录盈利，但PerrinIndustrie工厂的管理层仍决定关闭全厂。工人与企业的协议被撕毁，承诺未被遵守，1100名员工在其领导人LaurentAmédéo的带领下，拒绝接受这个突如其来的决定，并尝试拯救各自的岗位。
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
1958年，美国纽约。此时的黛安•阿布斯（妮可•基德曼 Nicole Kidman 饰）还是一个只知相夫教子的平凡女人。她生在富有的犹太商人家庭，父母经营着著名的Russek皮草店。从小养尊处优的黛安与身份悬殊的艾伦•阿布斯（泰•布里尔 Ty Burrell 饰）结婚，并努力协助他的时尚摄影工作。来自父母家庭的苛责以及婚后生活的枯燥无聊都让黛安倍感压抑和孤独。某日，一个新搬来的邻居莱昂内尔（小罗伯特•唐尼 Robert Downey Jr. 饰）出现在黛安的生活中，她为对方的神秘所吸引，开始有意识地去注意和探究莱昂内尔的一切。不知不觉间，她的人生悄然发生改变……
享负盛名的舞台化妆师程朗与形象设计师邢小曼相爱，舞台总监 Kikko倾慕程朗的才华而对其偏爱有加，并在工作上处处针对小曼。这天晚上，Kikko策划的大型内衣时装秀邀请了DJ兄弟哈利及Larry出席，舞台上热闹非凡，后台却突发大火。小曼、哈利等五名工作人员神秘失踪，聚在一起的五人发现自己变成了行尸，不仅浑身散发着恶臭味，并且一旦晚上就失去意识，无法行动。五人只好把握白天的时间去找寻自己的爱人与亲人……