主要人物介绍:藤井春子:田中美佐子饰是一个生性迷糊又没有理财概念的妈妈,老公於二年前不幸过世,为了维持家计,只好在超市工作野里勤:赤井英和饰虽遭妻子背叛离去,并不因此而怨天尤人,与女儿二个人在东京过著相依维命的生活藤井渡:堂本刚饰藤井家的长男,代替父亲的角色照顾弟弟,为了家每日奋斗,个性温柔,在学校因为打篮球而很有人气野田君子:宫城秋叶饰同情遭母亲离弃的父亲,细心地打理父亲的生活起居二对单亲家庭在东京相遇后,发生了爆笑趣事,这是出适合全家观赏的亲子伦理剧剧情大纲：一个寡妇领著他前夫的三个小孩，在一个偶然的机会中认识了一位离婚後独自扶养女儿的男人。此剧描述这对佳偶如何展开他们的恋情，如何为他们的小孩建立一个温馨的家。自丈夫去世後，藤井春子［田中美佐子］便负起一家之主的责任，为抚养三个小孩，每天须至超市工作，但因其对金钱毫无概念，常使全家的经济状况呈现混乱的情形，迫使儿子们不得不没收母亲的提款卡以控制其不当的开销。此外，春子并以低血压为由，将大小家事丢给二儿子藤井律（黑田勇树）负责，至於大儿子藤井渡（堂本刚)，个性倔强，同时亦有著强烈的恋母情结。另一方面，野田勤（赤井英和）因妻子逃家，只好带著女儿搬到东京的旧公寓居住，父女两相依为命，野田勤虽遭叛离之痛，却不因妻子的离弃而怨天尤人，反而积极尽责地与独女重新开始生活，其女野田君子（宫城秋叶）因同情父亲的遭遇，更加无微不至的照顾父亲。某日，藤井春子和野田勤二人戏剧性地在超市相遇，也因此改变了两个人的平静家庭生活。
亚杰今年23岁，勇猛过人，在社团内是数一数二的出位份子。年前的一个深秋，亚杰回家时，发现杰姐丽被其父强奸，原来从小以来杰父以多次强奸丽，形成丽自小便有自卑及自闭的性格，杰亦因此特别宠爱丽，眼前丽再被后父欺负，杰一时错手将其后父杀死，从此杰便在江湖消失，在狱中渡过了数年。 一天，当杰正在宵夜之际，一名少女被数名飞仔调戏，她逃跑时，不慎将杰之小巴撞倒，少女主动要求赔偿杰，二人便就此相识了，而这位少女正是富商何立人之女何佩仪。佩仪因刚从国外回港渡假，想不到却邂逅了杰，也因此改变了二人的命运。
为了逃避生活中的社会暴力，经验不足的诺拉·菲尼克斯满怀希望地参加了一场MMA锦标赛，希望能拯救她母亲的生命，并永远改变她的命运。但是当诺拉意识到她最终的战斗可能并不在拳击台上时，她必须学会如何用她的头脑去战斗，否则就会失去一切。
关玉明年轻时打过越战,当过特种兵但如今,他敛尽锋芒，在英国伦敦唐人街开了一家小餐馆,与女儿相依为命。在一次恐怖袭击中，女儿不幸遇难。英国有关部门的不作为更使他悲愤莫名，这时，关键人物汉尼斯出现在他的视野之中，担任政府高官的他当年曾与恐怖分子有千丝万缕联系。曾经在战争中出生入死的经验，让关玉明敏锐地察觉，汉尼斯手中一定有此次恐怖袭击的资料。于是，关玉明几次登门请求汉尼斯为自己提供线索，但遭到汉尼斯的拒绝。万念俱灰的关玉明决定用自己的方式为女儿报仇雪恨。为此，他拒绝了爱人林宝怡的挽留，独自踏上向恐怖组织以牙还牙以血还血的复仇之路。但他并不知道的是，一个错综复杂的大阴谋正在他面前徐徐展开……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
讲述了不善良的妈妈、女儿和孙女三代女人在生活中经历各种挫折，寻找爱情和幸福的家庭成长的故事
麦茜·威廉姆斯在《权力的游戏》后首部主演剧集确定：她将出演天空台喜剧《两周后就死》(Two Weeks To Live，暂译)。该剧讲述不合群女孩Kim Noakes(威廉姆斯饰演)的父亲在她儿时不明不白死去，母亲把她送到了乡下。Kim过着隐居生活，并习得了一些极怪异的生存技巧。 此后，Kim回到现实世界，想去完成一项秘密任务，致敬父亲的回忆。她在自己兄弟Dave的酒吧遇到了不擅长社交的Nicky，而在一个恶作剧成真后，三人发现自己面临险境：Kim手上多了一大袋偷来的现金，并且要逃离一群杀人黑帮和一群警察。但是，靠着她从小学到的一些技能，Kim可能能堪堪脱险。 加比·霍尔(《作弊》)编剧，其他演员尚未公布。该剧将于今年开拍，明年在Sky One和NOW TV播出，共6集。
“1995年，我们的小镇被施加了一道黑暗诅咒，那时我15岁”。讲述那年——美国著名的热夏，镇上有一个漂亮的女孩被杀，在谋杀疑云中，她的姐姐在内的多名青少年挣扎着要找到真相和常态。
一场毫无征兆的现代战争一触即发，无数大兵、先进武器聚集一地，战事愈演愈烈，导弹在天空中呼啸而过，子弹像雨点般的肆意飞散，形成了一道不可逾越的战争火线，而这道火线恰好阻隔了一对母子。年轻貌美的母亲不顾一切、试图只身穿越火线，救出年幼的儿子，但无奈于敌方火力封锁严密，而且她心中的机器怪物也是万般阻隔，这个冒险之旅对于一个女人来说就像一场噩梦，幸有一队勇敢的大兵舍身保护，但她能否克服千难万险，打败心魔，营救出儿子……
一个警察试图阻止一名科学家的实验，把学生变成“cyborg-雇佣兵”。包含暴力和强烈的语言。
故事描述一个爱尔兰女人（Sharon Horgan）与一个美国男人（Rob Delaney）在英国伦敦相遇并相爱，但对文化差异巨大的两人来说，在一起生活并非易事。
杏花村和“第一鲜”是小镇有名的酒楼，因“第一鲜”掌柜苏东皮在美食大赛中连败杏花村而设计陷害对方，最终苏东皮醒悟，和杏花村一起揭露黑白双煞的恶行并共同的将一百零八水浒宴席传承下去