海南贫家女吴琼花（祝希娟）被残暴的恶霸南霸天活活打个半死昏倒在地，幸得装扮成华侨富商的红军干部洪常青（王心刚）和他手下的及时相救，她才保全性命。伤好后，吴琼花立志投身革命，如愿以偿成为一员娘子军战士。
根据漫画《萨布丽娜的惊心冒险》(TheChillingmeijubar.netAdventuresofSabrina)改编的未定名新剧由Netflix接手开发，直接预定两季，共20集。将与CW大热新剧《河谷镇》共处一个宇宙，两剧都是根据阿奇漫画改编。萨布丽娜是阿奇漫画中最受欢迎的角色之一，但没有出现在《河谷镇》里，九月时CW宣布将开发她的单人剧集，也有了说法。故事聚焦年轻女巫SabrinaSpellman，她半人半巫，致力于与威胁到她自己、家庭以及人类性命的邪恶势力作斗争。充满超自然、恐怖、魔法、巫术等元素，风格类似《罗斯玛丽的婴儿》和《驱魔人》。制作班底和《河谷镇》一样，RobertoAguirre-Sacasa任编剧，LeeTolandKrieger执导，华纳电视部门和BerlantiProductions制片。THR消息源透露将会背靠背拍摄，明年2-6月拍第一季，6-10月拍第二季。
大房长子董文辉与钱秀琴（李佳怡饰）大婚当日，三房家长董兆如却惨遭蟒蛇吞食，僻静山村因“变异巨蟒食人事件”闹得人心惶惶，这令原本祥和安宁的长生村陷入一片恐惧之中。而当董文林把蛇尸扔在祭坛上时，巨蟒王复仇即将来袭，长生村更大的危险也随之而来。
1944年，第二次世界大战正是如火如荼的惨烈时刻。在南洋某个日军战地医院里，军医藤崎恭二（三船敏郎 饰）与同事们夜以继日，不辞疲倦，争分夺秒地抢救每一个伤员。然而厄运突然降临，藤崎的手不慎划上，更被梅毒携带者中田进（植村謙二郎 饰）的污血所感染。战争结束后，藤崎回到父亲孝之辅（志村喬 饰）的医院工作，虽然已有美丽的未婚妻美佐绪（三條美紀 饰），但是他不愿牵连爱人，因此不断推迟婚期，更决定与美佐绪分手。他保守着身患梅毒的秘密，一面与病魔作着悄寂无声的斗争，一面在医者的道路上艰难前行…… 本片根据菊田一夫的原作改编。©豆瓣
鄂城当红的主播三姐妹，事业如日中天正值当红之际，却接二连三地遭遇意外袭击被他人毁容，惶恐的气氛接踵而至，诡异的事件接连发生，究竟是嫉妒还是恶意报复？变态粉丝及神秘的黑衣人到底受何人指使？经纪人是否财迷转向不择手段？迷雾重重，真凶潜藏在何处，不为人知。终于，凶手露出了破绽，被一直暗中调查此事的人所发现，在家迎来了一位神秘的来访者。
CesarMillanisback.WithdogadoptionsatarecordhighCesar’stimelyreturntotelevisionwillgivenewpetparentsthetoolstheyneedtoteachtheirdogsgoodhabitsandshedtheoldbadhabits.Fromtheyardsofthepetowners,tohisnewlyupdatedDogPsychologyCenter,Cesarshowsustheskillsweneedtocreatehappyhomeswithourfurrybestfriends.
民国时期，一种掺杂致幻剂的香烟荼毒了不少烟民。警探司马洛暗自追查毒烟来源。同时他的搭档林复也正经历一起诡异的案件——一群疯癫的人被杀，但是现场却找不到尸体。两条线索引出一个惊天秘密，神探兄弟联手破案。
A.J. Fikry’s wife has died, his bookstore is in trouble, and now his prized rare edition of Poe poems has been stolen. But when a mysterious package appears, its arrival gives him the chance to make his life over and see things anew. A NYT Bestseller.
原作《帕拉诺马岛奇谈》
《日本办公室奇葩传》是一档讲述上班族奇葩生活的节目。都说日本是个严谨的民族，上班族又是这个严谨的民族最有象征性的种族。 在如此死气沉沉的办公室里，中国上班族的加入，又会使之产生什么样的改变呢？
In a confused welter of artistic licence, this is the classical music biopic which makes 'Song to Remember'look like a masterpiece. Bogarde succeeds in diminishing the reputation of the musical colossus who spanned European music for most of the 19th Century. The absurdities of the plot, the sequoia-like quality of the acting and the prevalence of historical,musical and linguistic anachronisms combine to elevate this offering to the status of an A1 turkey.How a pianist of the stature of Bolet came to be mixed up in this fiasco can only be guessed at. The characterisation of Liszt fails to convey even a minute impression of his magnetic personality and the overwhelming effect that he had on not only his audiences, but also his pianistic rivals.Clara Schumann herself said that 'we toil over that which Liszt reads at sight!' Whilst the emphasis seems to focus on his romantic prowess,rather than his status as the greatest pianist of the century or,arguably, of all time, one feels,nevertheless, that this was an opportunity lost.