巍巍大秦，一统中原。然而好景不长，秦王朝以暴政治国，致令黎民百姓、公侯王卿噤若寒蝉，心生怨恨。最终义军并起，蚕食大秦江山。时有刘邦（黎明 饰）、项羽（冯绍峰 饰）两大英雄豪杰，引得樊哙（陈小春 饰）、张良（张涵予 饰）、范增（黄秋生 饰）、萧何（修庆 饰）等无数热血男儿和雄韬谋士来伏。楚怀王心知二人胸怀野心，难以控制，于是求得离间之计，与二人约定先入咸阳者可成王。在此之后，刘邦奇谋入住咸阳，最终导致刘项这对惺惺相惜的昔日盟友决裂。 秦朝灭亡，随即拉开楚汉之争的大幕，上演了鸿门宴和霸王别姬的千古英雄传奇……
以为是一场甜蜜婚姻，走进其中才发现步步惊心。他的爱，难道只是谎言？
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
工作电影学院毕业，出镇桂申请与色情电影的公司，仅为男性的主任一职。第二天他聘为所有裸体的男孩，叫生产助理主任，必须变得习惯于使用临时地点、 即兴设置和滥用从一般公众。生产的女主角，Sabine，成为他吸引，和这两个最终加速晚上一起工作人员晚饭后。后来，金圭获取报价主要生产公司工作的一部真正的电影。
戈登（Idris Elba 饰）等五人组成的银行抢劫团伙每隔一年作案一次，其成员AJ（海登•克里斯滕森 Hayden Christensen 饰）、约翰（保罗•沃克 Paul Walker 饰）各有所长，抢劫所得和合理的投资令他们过着奢华的生活。在最近的一次劫案中，他们引起了铁腕警探杰克（马特•狄龙 Matt Dillon 饰）的注意。 戈登团伙昔日的成员里弗斯新近出狱，里弗斯在狱中结识了俄罗斯黑帮，并取得一份银行的内线情报。里弗斯邀请众人行劫，否则就拿回当年属于自己的那份抢劫所得，尽管时间仓促，不符合团伙一贯的行事风格，然而一番讨论之下，他们决定再次出手。与此同时，杰克以抢劫所用的C4炸药为突破口，发现了这次有俄罗斯黑帮参与的抢劫计划图纸。距离计划时间所剩无几，这次抢劫会导致怎样的结局？
在藏龙卧虎的麻将世界，江山代有英豪出，今日是只手遮天的帝王，明天就可能败在麻坛新秀的手下，纳忠臣服。而在波涛汹涌的麻将历史长河中，拥有银色头发的赤木茂（本乡奏多 饰）注定是一个不可被忽视的重要人物。他虽然年纪轻轻，却拥有缜密冷静的头脑和胆识，甫一出场便挑败麻坛重量级人物，由此震惊黑道，并被冠名为“传说的麻将士”。与之相对，拥有黑白两道背景的鹫巢岩（津川雅彦 饰）正是傲立在麻坛顶点的“黑暗之王”，他创立“鹫巢麻将”不仅敛财无数，更借机除掉无数天资聪颖的麻坛新秀。为了攻破这个狡猾男人的防线，昭和40年的某个夏日，不良刑警安冈（神保悟志 饰）拜托赤木杀入鹫巢的巢穴。两代麻坛巨子注定要展开一场激烈的搏杀…… 本片根据福本伸行的漫画原作改编。
地处公司地下一层的IT部门，故事仍在继续。除了发型的变化，二男一女的IT部仍然具有强大的吸引稀奇古怪事情的体质。 这边，Moss（理查德?艾欧阿德 Richard Ayoade 饰）阴差阳错地和一伙抢银行团体捆绑在了一起，引出了一场啼笑皆非的故事；Jen（凯瑟琳?帕金森 Katherine Parkinson 饰）做起了摄影师，对象是一群IT男，场面极其古怪；而Roy（克里斯?奥多德 Chris O'Dowd 饰）则总是受伤最多的那一个，稀奇古怪的事情发生的地方，总有Roy在那。而Douglas（马特?贝里 Matt Berry 饰）则时不时抢抢IT部门的风头，好色爱美女的他惹出了不少好笑的事。IT狂人，给你带来爆笑的轻松体验。
4月8日 21-22赛季NBA常规赛 开拓者VS鹈鹕
少女陈青得知父亲意外身亡的噩耗，不远万里回家奔丧，半路却突遇劫难而造成了失忆。她历尽千辛万苦回到家中，却发现家里充满了疑团：父亲因何突然离去？十几年未谋面的叔婶是真正的亲人还是凶手冒名顶替？一见钟情的男人究竟是自己的真爱还是阴险的帮凶？这座流传着恐怖传说的古宅中充满了太多的未知。陈青为了让事情水落石出不惜一次次铤而走险，然而随着她一步步接近真相，她也一步步接近死亡的阴影。为了父亲，她孤注一掷做出最后一搏，却发现这里面有一个弥天大谎，真正杀人不眨眼的刽子手不是别人而正是自己。
讲述万和堂古玩店每季度都举行鉴宝会，展出的古董文玩被地主富商争相竞买今年参会的有城中名媛顾婉怡，解典铺掌柜青瓷，警察局长曹秉钧，以及大地主高有财，和享誉沪上、初到松江登台的京剧武生岳少楼。
经营牛仔店、人称裤王的王枝富，在小妹结婚后，家中仅剩下他单身一人，于是心急的老妈一直催促他快点找个女朋友结婚。而后，他遇见正与丈夫分居的女子，并心生爱意。但是女子的丈夫却希望与她复合，面对如此的威胁，两人的爱情是否能够顺利开花结果呢？