阿亚（Aya）是一位年轻的女模特，一直有一个反复出现的梦想：她一直梦想着看到母亲在她小时候居住的岛上的房屋里杀害某人。这些梦会导致失眠，最终导致慢性失眠，使她感到困惑，并开始将现实与梦分开。
影片讲述一对艺人夫妇眼看着三个儿女成长，各自离开家庭而为自己的事业奋斗，不免有点感伤。最后，他们发觉事业仍是令全家人迷醉的行业。气氛热闹而具有人情味的歌舞片，藉一个艺人家庭表现出娱乐事业令人迷醉的一面。
少年唐寅出生在一个豪富之家，无奈老爸老妈过于信奉“穷养儿，富养女”的人生理念，故意装作穷苦人家，以期待唐寅能够“健康成长”，成为可造之材并将唐寅送入一个文武同授的书院中。可是书院却被恶势力要挟，唐伯虎师徒二人经过一番波折，终于联手并在对决中惊险获胜，将恶势力击退。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
Maggie? Rainbow? Leeward and Mary cannot even agree on their three year old daughter's name anymore. Mary is a hardworking nurse who dreams of only one thing: changing her life. She resents her husband for being an irresponsible, overgrown adolescent, incapable of holding down a job. Leeward is an atypical, idealistic musician who fancies himself a misunderstood artist and a Ne...
龙城是三省五县水陆交通咽喉，清末，龙城城里一秘密反清组织“血盟堂”遵照孙文先生的指示，据要冲而扼制官兵，准备联合起事，由于内奸告密，致使总部几次派人前往龙城与“血盟堂”联络都惨遭杀害。双枪假面人老三金子彪去复仇，得到双抢假面人的帮助。张广义请来武艺高强的白劳德，并收买“血盟堂”老大共同对付双抢假面人。经过仔细分析，怀疑的焦点集中在方大年身上。假面人就是方大年，而金子彪就是隐藏已久的内奸，其内奸身份被大年当众揭穿。
影片讲述了因总做同一个噩梦的漫画家丽娜意外死亡后，本是最大嫌疑人的男友阿森却在被警察控制后也无故死亡，一系列离奇死亡的背后究竟隐藏了什么秘密？作为心理学家的好友森为揭秘真相，不惜冒着生命危险进入梦境寻找凶手...
继《石之茧》、《水晶的跳动》之后， WOWOW 如月塔子杀人分析班 系列第3弹！塔子成长为冷酷警察之后，和变态剧场预告型杀人犯的终极对决！ 警视厅搜查一课十一系的刑警·如月塔子(木村文乃)最信赖的前辈刑警，鹰野秀昭(青木崇高)接到公安的调动决定。调动倒计时之日发生了资产家天野秀雄在自家被惨杀的事件。被割裂的脖子上被活生生插入“蓝色的花”，秀雄的妻子真弓自事件之日起就下落不明。搜查本部将真弓作为最重要的参考人进行搜查，自称是“集群16”的犯人向报社发送了暗示犯罪声明和真弓所在地的邮件。 警视厅和杀人分析班被接二连三发生的猎奇杀人事件所捉弄。鹰野调动迫在眉睫，塔子被寄予的期待和责任也越来越大。但与期待相反，事件的搜查难以展开，焦虑和不安越发强烈的塔子。到底塔子和杀人分析班能解决这个猎奇杀人事件吗！？谁也不能预料的惊愕的结局在等待！
故事发生在一个名为“童话王国”的魔法世界之中，替这个世界供给能量的，是漂浮在天空上的幸福之星。糟糕的是，近日里，幸福之星接二连三的消失了，如果这样的情况继续下去，那么童话王国总有一天会消失不见。为了避免这样的情况发生，女王决定派出三个魔法宠物前往人间，他们要找到有资格成为偶像公主的三名少女，委托她们帮助童话王国收集幸福之星。这三人便是雪森苹果、高城蕾拉和笹原名月。 在魔法的加持之下，三名少女得以暂时拥有长大成人的模样，她们通过她们的歌声和舞蹈给人们带来幸福快乐，因为变身维持的时间非常的短暂，所以她们也被人们称为“谜一样的美少女偶像公主”。
电视动画《逆转裁判》改编自CAPCOM推出的同名推理游戏。在2015年9月17日于东京电玩展上，发表了其电视动画化的消息。电视动画将于2016年4月首播。