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  • 2023 2.0

    与恶魔有约

    无情的恶魔郑九元(宋江饰)与高冷的女继承人都到曦(金裕贞饰)发生纠葛后失去了能力,而那女人可能握有他失去的能力以及他的心。

  • 2010 4.0

    必要的杀戮

    阿富汗人穆罕穆德(文森特·加洛 Vincent Gallo 饰)在荒芜的山地中偶遇三名美军,他在惊慌失措中用手中的武器杀死了他们。穆罕穆德被随后赶到的美军活捉,在美军监狱中遭到审讯和虐待。在押解的路上,美军车辆遭遇车祸,默罕默德于混乱中意外的获得了自由。他在冰天雪地中杀死过路人,抢夺了车辆和衣服,又在美军的追踪中杀死军犬。在杳无人烟的森林中,默罕默德依靠树皮充饥,为生存进行卓绝的困兽之斗,在冰雪的侵袭中,他依稀看到了往日的时光,并神奇的感知未来发生的事情。默罕默德的逃亡之路伴随着几乎随机发生的杀戮,恶劣的生存环境促使他回归原始……

  • 2013 1.0

    彭伯利谋杀案

    BBC纪念《傲慢与偏见》出版200周年的续集迷你剧。伊丽莎白和达西婚后六年,育有两子,正准备在彭伯利庄园举办一场盛大的年度舞会。然而伊丽莎白的妹妹莉迪亚突然造访,并宣告她的丈夫韦克翰被控谋杀……舞会被迫终止,达西一家和彭伯利庄园的平静生活被打破,一个不可思议的秘密和谎言 将威胁整个家族……

  • 2013 7.0

    白日梦想家

    沃特.密提(本·斯蒂勒 Ben Stiller 饰)是一名在《生活》杂志工作了16年的胶片洗印经理,他性格内向,甚至无法跟心仪的同事谢莉尔(克里斯汀·韦格 Kristen Wiig 饰)开口搭讪,面对生活他像个旁观者,时常“放空”做白日英雄梦。直到有一天公司被并购,杂志需要做最后一期的封面,而封面成功与否的关键是找到狂野摄影师尚恩(西恩·潘 Sean Penn)的一卷胶片,沃特终于开口搭讪谢莉尔,并在她和母亲(雪莉·麦克雷恩 Shirley MacLaine 饰)的鼓励下踏上真正的冒险之旅,冰原、大海、喜马拉雅山……沃特的白日梦远不及现实壮丽。

  • 2011 9.0

    恋之罪

    在一处偏僻的住所里发生了骇人听闻的猎奇杀人事件,一具截成两段后又被砍掉手脚的女尸静静的散发出腐臭的气味,负责此案的女刑警吉田和子(水野美纪 饰)随即展开了调查,在此过程中,菊池泉(神乐坂惠 饰)和尾泽美津子(富樫真 饰)这两个神秘女人的身影渐渐浮出水面。   作为著名小说家的妻子,菊池泉过着平静而又枯燥的生活,除了每天定时等先生回家外几乎无所事事。而美津子则是一所著名大学的副教授,在教育界和学术界享有着极高的声誉。这两个风马牛不相及的女人之间有着怎样的联系?和子也有着自己的秘密,表面上坚贞贤惠的她其实有着十分混乱的私生活,面对欲望逐渐扩大的欲望的黑洞,她要怎样才能够守住自己的底线?

  • 1999 9.0
  • 2014 2.0

    平民大富翁

    出品单位:北京康乾光澍影视文化有限公司李艳中了彩票特等奖,但突然发现妻子蔡静和老板马可关系暧昧。于是,选择隐瞒真相。后来,他和几个老朋友成立新的化妆品公司打败了马可,也在这一过程中体会到了夫妻之间、朋友之间的真挚感情

  • 2023 6.0

    运动者联盟

    《运动者联盟》以星素全民运动为主题,“哪里有运动,哪里就有运动者联盟”。运动无处不在,运动者联盟成员将以全视角,走进城市。在城市之间的大街小巷里,解锁运动带来的不同玩法,发现运动能力高手,在忙碌的城市生活中感受运动带来的积极影响。同时,星素嘉宾在体育竞技的对抗下,完成团队协作与团队融合,共同开城市运动空间,为观众提供乐趣的同时,传递运动无处不在。

  • 1919 2.0

    盲目的丈夫们

    Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

  • 2023 3.0
  • 2022 10.0

    21-22赛季英超第33轮 纽卡斯尔VS莱斯特城

    4月17日 21-22赛季英超第33轮 纽卡斯尔VS莱斯特城

  • 2016 8.0

    末日使者惩戒

    2050年,G病毒肆虐,黑暗、“丧尸”吞噬的世界,在拥有强大力量、超乎寻常的恢复能力、极快感染能力且暴戾凶残的丧尸面前,人类的军队显得无力又渺小,人类生存的世界也随之走向了末日。为了拯救人类,消灭丧尸,作为半人半丧尸的尹天仇因其特殊的体质被科学家陈洛选为意识传输的最佳人选,回到一切的原点——2015年,找到使人变为丧尸的G病毒的源头,并将之摧毁。回到了2015年的尹天仇找到了年轻时的陈洛教授并与之一同调查G病毒的起因……历经艰辛,救助了接近真相的吴天远教授与其女儿小云,原以为就此可以揭开G病毒的秘密,无奈不愿让自己被病毒吞噬的吴天远教授选择了自杀,让刚有一些眉目的调查又陷入了一片迷雾中……幕后黑手究竟又是谁?   《末日使者 救赎》:陷入疑团迷雾中的尹天仇,陈洛,小云等人放下悲伤,再次踏上了探索真相的道路。一路的并肩作战让彼此之间产生了逾越生死的情谊,在...

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