内详
1973年，七月十日的布拉格，剛滿22歲的歐嘉開著一輛失速的卡車衝上人行道，造成八人死亡。歐嘉對警察說，她是故意的！ 幾天後，地方的報社收到了歐嘉在案發前寄出的自白書，字裡行間不只是她的冷漠與殘酷，更透露出了一個被世人所拒絕的破碎靈魂：中產階級的家庭中她有衣食，卻沒有雙親的關愛，精神狀態與孤獨令她在工作與生活上屢屢碰壁，渴望愛情的她，幾次親密接觸卻無法填補她內心的巨大空虛。她以銳利的目光直視著這個她所不愛的世界，求救的信號來不及抵達，瀕臨極限的歐嘉於是踩下油門。她的衝撞與報復，也將她和人們都推上了無法回頭的道路…
讲的是车祸中失去父母的三月，被母亲好友收养，寄住在泰辰家的故事。三月失去父母后，住在泰辰家，却一直乖巧懂事，懂事的让人心疼；泰辰想要对三月好却不知怎么表达，只能默默守护。
民国时期，陶瓷大亨龙家二少爷龙柏华邂逅了戏班花旦崔怡青， 两人迅速坠入爱河，在不顾家人反对的情况下，私定终身，念《上 邪》为誓言。但是，战争到来，龙柏华以“婊子无情，戏子无义” 为由，离开了崔怡青，背叛了曾经的海誓山盟。崔怡青因爱生恨， 也开始背叛曾经的誓言。并且诅咒每一个无情无义的龙家后人。 龙柏华的孙子龙念祖，出于对爷爷身世的好奇，开始调查过去 的事情。在调查中，龙念祖认识了美女警官郝佳佳，两人关系 逐渐亲密。随着对过去事件调查的深入，两人也出现了不同程 度的危机，难道崔怡青曾经的诅咒，真的降临在
@chenchun8219剧情：车站上，火车快开车了。旅客们忙碌地在赶着上车，帅克也带着几个沉重的皮箱吃力地在向车厢走去。开车铃响，列车员把帅克推上车，车便开走了。帅克的一个皮箱留在站台上。卢卡什中尉对帅克丢掉他的皮箱很恼怒，而帅克却是心平气和地劝中尉不要激动。他说：箱子里没有什么贵重的东西，反正是从房东那里弄来的，丢了也没有什么可惜。卢卡什把帅克撵了出去。帅克又进来了，他坐在一位秃子绅士的旁边。帅克问他是不是某银行的经理，又说据医生说，一个人被禁闭六星期以上。头发就会掉去很多……，这些话激怒了这位绅士，原来他是一位将军。他把帅克撵了出去，并把卢卡什中尉训斥一顿。帅克在车厢走廊里，又和乘务员攀谈起来。他对紧急刹车器感到兴趣，顺手去拉，想试试灵不灵。火车突然停了下来，旅客们不知道发生了什么事，都惊恐起来。列车长对帅克说，到了塔堡后，要把他扣留下来。火车开走，帅克留在塔堡车站。他没有证件，宪兵以为他是间谍，把他逮捕送到宪兵队长那里。一切查明，帅克被释放，他徒步向布求维斯走去。结果走错了路，来到善捉镇，老乡们帮助了他。宪兵大队长科尼格到善捉镇布置抓逃兵的工作，分队长弗兰得卡奉命物色暗探监视人民，四处搜捕逃兵。弗兰得卡以为帅克是俄国间谍，眼看可以得到大笔奖赏，他非常高兴请帅克喝酒。帅克被当作俄国的高级间谍送到城里，押送他的本纳斯喝得大醉，帅克不得不牵着他走，并用车把他推进城去。帅克被释放后，又回到卢卡什那里充当传令兵。杜布少尉禁止士兵们到妓院去，而帅克却发现他自己在妓院里，杜布喝的大醉，帅克不得不把他抬回部队。部队向前线开拔，卢卡什命帅克等三人前去找宿营地。帅克独自一人沿小河走去，他在路旁找到一套俄国军装，他刚刚穿上这套衣服，就被自己的部队逮捕，军事法庭要以叛国罪，判处帅克死刑。后来，帅克所在的连队把他要了回去。帅克经历了一场风险回到连队，受到朋友们的欢迎。
十年前，田归农集结手下强将设局，引大侠苗人凤与胡一刀为抢夺宝藏而战，苗胡二人因此丧命。十年后，胡一刀之子胡斐摩厉以须，替父报仇。一场复仇之战拉开帷幕，一场“猎杀游戏”就此……影片改编自金庸武侠小说《雪山飞狐》。
该剧讲述了一个生活在北京四合院里的重组家庭，一家人为能给奶奶一个幸福的晚年生活，编织了一个善意而凄美的谎言，从而引发一系列啼笑皆非的故事。
在熙攘的人类世界里，很多妖精隐匿其中，他们与人类相安无事地生活着。猫妖罗小黑因为家园被破坏，开始了它的流浪之旅。这场旅途中惺惺相惜的妖精同类与和谐包容的人类伙伴相继出现，让小黑陷入了两难抉择，究竟何处才是真正的归属？
热血正义的考古青年吴天于沙漠中发现楼兰文物青铜琉璃镜，偶然与铜镜中楼兰圣女雅曼平行时空相遇，为守护楼兰文明国家宝藏，防止其落入外国盗墓者之手，两人共赴楼兰秘境天使之墓，并肩揭开千年神秘的“幽灵军队”传说秘密，一场斗志斗勇的楼兰冒险之旅拉开帷幕。
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
朱丽叶特（Kristin Scott Thomas 饰）亲手杀死了自己只有6岁的儿子，她被判入狱15年，期间丈夫与之离婚，父母和她断绝关系，只有小妹妹莉偷偷思念着疼爱自己的姐姐。 15年后，朱丽叶特出狱，暂住莉（Elsa Zylberstein 饰）的家中。因其犯罪背景，朱丽叶特在求职过程中处处碰壁，妹夫卢克（Serge Hazanavicius 饰）也对她心存芥蒂。随着时间推移，冰冷自闭的朱丽叶特逐渐和妹妹一家人相处融洽，工作步入正轨，也有了心仪之人。这时，莉却无意中得知了姐姐亲手杀死孩子的真相…… 本片荣获2009英国学院奖最佳非英语片奖、2008柏林国际电影节天主教人道精神奖、2008欧洲电影节最佳女主角奖。
憨豆警局是憨豆先生扮演者罗温·艾金森的早期作品之一，这部室内情景喜剧集讲述的是一个英国警察局里发生的种种趣事。