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Miranda（米兰达·哈特MirandaHart饰）是一个身高一米八三、身形魁梧、胃口极佳、常常被人误叫做“sir”的名副其实的女汉子。她开了一家半吊子的玩笑商店，请了自己最好的朋友Stevie（萨拉·哈德兰SarahHadland饰）做店老板。Miranda妈妈最大的愿望就是把芳龄35的女儿嫁出去，积极为她安排各种各样的相亲。事实上，Miranda早就有意中人，他就是帅气高大又带点憨直的厨师Gary（汤姆·艾利斯TomEllis饰）。在第一季的结尾，Miranda没来得及告诉Gary自己的心意，他就接受了新工作，远赴香港。三个月过去了，Miranda还没走出低潮期，餐厅里却来新的大厨。Miranda和新大厨竟擦出火花，但就在这时，Gary回来了……
含着金汤匙出生的千金大小姐韩智英（李秀景 饰）邂逅了名为柳善宇（安在旭 饰）的男子，柳善宇仪表堂堂而又风度翩翩，这让韩智英对他逐渐卸下了心房，她坚信，身为美术策展公司CEO的柳善宇之所以接近自己，是因为真情而非贪图她的财产。 然而这一次，韩智英看走了眼，因为实际上，柳善宇是一个口袋里一毛钱也没有的大骗子，他接近韩智英的目的只有一个，那就是得到她所拥有的价值连城的名画“卡拉蒂雅的眼泪”。可是，让柳善宇感到非常愤怒的是，每当自己的计划快要成功之时，都会有一个名叫宋慧（姜惠贞 饰）的女人跳出来搅局。
铃可是一名时空巡逻员，某日，在巡逻之中，她发现战国时代即将发生打乱，于是决定穿越到那个时代，解除危机，没想到在穿越的过程中，铃可竟然遭到了莫名的敌人的攻击，兵荒马乱之中，铃可来到了二十世纪，刚刚好跌落到了男孩野原新之助（矢岛晶子 配音）家的庭院之中。 铃可附身在了小新所饲养的宠物狗小白的身上，借小白之口向美伢（楢桥美纪 配音）和广志（藤原启治 配音）说明了事件的前因后果，于是，一家三口跟随着铃可，穿越回了十六世纪的战国时代，在哪里等待着他们的，除了新奇刺激的体验，还有无穷无尽的危险和穷凶极恶的敌人。©豆瓣
窦豆（夏阳 饰）是一个毫无农村生活和工作经验的宣传部小科员。突然间，她被调往夏江村担任“第一书记”。初到农村的窦豆面临着一系列的困难和挫折，并且与怠于职守的村主任江重洋（宋允皓 饰）之间产生了重重矛盾。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
安娜（黛安娜·卡娃柳堤 Diana Cavallioti 饰）和托马（米尔卡·波斯泰尔尼库 Mircea Postelnicu 饰）相识于大学的校园之中，在一次关于尼采的哲学讨论之中，两人成为了知己。精神世界十分契合的两人很快就走到了一起，并且认定彼此就是他们想要携手共度一生的那个人。可是，安娜拥有非常复杂的过去，同时亦是一名MS综合症患者。
一个名叫埃里克·泰勒的美国背包客在欧洲旅行期间神秘失踪，这看似平常的事件却引起了一向我行我素的女记者卡门·伯克（辛蒂·山普森 Cindy Sampson 饰）的关注。根据埃里克的日记，卡门和男友马库斯（阿隆•爱什莫 Aaron Ashmore 饰）、助手莎拉（梅格汉·赫凡 Meghan Heffern 饰）前往波兰的某个偏远乡村寻找线索。虽然受到当地人极不友好的对待，但是林中的奇怪迷雾、当地的神秘宗教以及埃里克的行踪都令卡门欲罢不能。在迷雾中他们见到了诡异的雕像，同时也离失踪的埃里克越来越近，却也将自己置身于莫大的危险之中。 小村平静表象下的秘密逐渐浮出水面，死神的脚步声也渐次清晰起来……
日本警探山本（真田广之）来香港途中,遇上押解犯人李仲青回港的香港女警Michelle(杨紫琼).李的同伙欲救李,结果,两人都被山本杀死,而匪徒一共有四人，剩下的2个匪徒报复,杀害了山本的妻女,山本亦杀死其中一名匪徒,他们追踪最后一人到了矿厂,展开了一场恶战…………
杰克原本是一名联邦保安官，最后从事私人保镳的工作，在一次任务中，他应赌场老板要求，前往拯救被匪徒挟持的小女儿凯西，却在这场激烈的战火中，被磷弹伤及双眼，最后虽然靠著凯西的聪明灵慧，和自己敏捷的身手，成功的制服歹徒，却从此眼力衰退，对白光心生恐惧。在杰克休养生息的时候，凯西的父亲在莫名的意外中死于非命。和凯西投缘的杰克，于是顺利成章的成为她的法定监护人。在杰克伤势尚未痊愈的时候，他被迫接下了保护一名超级名模的任务。这名年轻漂亮的模特儿被精神失常的杀手跟踪。在得知杰克是保护名模的保镳之后，这名神秘的杀手不但策划了大型的机车围杀行动，想将杰克除去，还和杰克抗礼，展开一场精采的打斗。