卡门·圣地亚哥是位神偷，她运用自己的技艺做好事，在机灵的伙伴的帮助下，踏遍世界各地阻止邪恶的国际恶联。
Back in the 80s, five friends cause raucous in their schooldays. Twenty years on and they've got jobs they don't want and wives who don't want them. The leader of the gang, Frankie, is now dying in Yorkshire. The others find out and they get together for one last sad, mad, bad road trip to Dewsbury, before it's all too late. Mix in a dollop of The Inbetweeners' intellectual wit, add a pinch of bromancing from The World's End, and then stir in a few ladles of The Hangover's vomit and you've got Destination: Dewsbury, destined to be one of 2018's funniest releases.
影片《不二土夫子》主要讲述了男主角皇甫吉赫（马驰饰演）为了阻止村花杜鹃（王婷饰演）嫁与他人，从而夸下海口称自己的爷爷发现了一个有诸多珍宝的古墓。因皇甫吉赫家中确有一件真品，故而大家对他的话深信不疑。在利益的驱使下，当地的镇长、专家、开发商都开始加入这个编谎言的行列。而这个虚幻的谎言还引来了当地民间盗墓组织的觊觎，他们为了挖宝绑架了皇甫吉赫，一出盗墓闹剧就此上演。随着闹剧愈演愈烈，公安机关的介入使真相逐渐浮出水面，最终镇长被免职，开发商心灰意冷放弃了开发，盗墓贼被抓，皇甫吉赫也被教育改正。一切重回原点，
节目推出夫妻隔空对话新模式。让妻子团踏上浪漫之旅，丈夫团则留守棚内，远程观察旅途中的妻子，了解其生活中的另一面。在这场跨时空对话中，夫妻重新审视彼此关系，治愈婚姻。节目也通过展现不同的夫妻关系，和观众一同探寻幸福婚姻的密码。
转眼30年过去，往日的荣光渐渐不再。曾经的传奇拳王洛奇（西尔维斯特·史泰龙 Sylvester Stallone 饰）生活平淡乏味，心爱的妻子亚德里安（Talia Shire 饰）因癌症去世，自己与儿子的关系又分外紧张，他终日坐在所开的小餐馆里追忆往昔，谁也不会想到这位拳王退休后的人生竟如此落寞。 是时，新一代的拳王横空出世，年轻的梅森·迪克逊（Antonio Tarver 饰）统治者重量级冠军的头衔。在体育频道工作的波利（Burt Young 饰）突发奇想，策划了一场新老两代拳王的世纪对决。梅森渴望在比赛中向拳迷们证明自己的实力，洛奇则希望在此感受万众欢呼呐喊的狂热气氛，他们怀着各自的心愿重返拳台……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
暑假开始了，伴随着夏日热度一同翻滚的，还有悸动的青春心灵……清迈的普（查理·哲华 Charlie Trairat 饰）和迈（司拉恰奇·齐恩萨温 Sirachuch Chienthaworn 饰）是一对竞争多年的邻居，同时又是校内颇受女孩欢迎的组合，他们一齐喜欢上了回乡度假的少女娜娜，相约展开竞争；曼谷少女娥乐（霍嘉丝·芝华顾 Focus Jirakul 饰）痴迷台湾明星迪迪，为了不错过迪迪在电影中和舞台上的每个表演，娥乐决定学习中文；羞涩笨拙的宅男佐（Ratchu Surachalas 饰）为了追求美女茜，从电影中学习浪漫桥段，并且精心准备剧本，但收获的却是拒绝；恒（Chantawit Thanasewee 饰）送女友离开后，终于回到了一班兄弟的怀抱，并且再次燃起了对AV女神的憧憬…
民是电脑工程师，这一天他带著给爱妻的礼物，匆匆的回家，眼前的情景把他惊呆了，一男一女躺床上，那女子正是他的妻子。民无意识地开车往机场，百感交集时，突然有妙龄女郎跳进车厢内，并伴著乒乒乓乓的子弹从後面漫射而来，民即踩下油门飞驰而去。原来这名女子叫莉，太平阳小岛的华侨，这次回港受人所托带佛像给朋友，怎料一出机场便遭人追杀，民本想扔下莉，怎料连他自己也成了追杀对象，於是与莉一起亡命天涯，两人偶然发现佛像内藏著蓝宝石，它是小岛国王权仗上的宝石。在他们把石物归原主的艰苦旅途中，两人擦出爱情的火花
It's the fall of 1985. The intertwining tales of three 5th grade friends, Chris, Joe and Ted, unfold in the suburban paradise of Palo Alto, as the threat of a mountain lion looms over the community.
青城山灭派，玄门遭遇旷世劫难。朱离地煞觉醒，携青城掌教冷霜凝险夺玄珠，再顾青玉坛，蒙星象子指点，欲共赴昆仑抵御魔道大军。天一子未赴中秋之约，太白子知道天一子已遇不测，开始查探凶手，本以为是魔道的阴谋，没想到在昆仑派发现了一些端倪。魔道势力风谲云诡，其间隐情扑朔迷离，深不可测的魔道高人邓辰因为太初九元的转世，重出天阴谷，纠集紫衣人等魔道长老集齐三才秘要，欲救出魔道祖师天魔元煞，登顶昆仑之时，幕后黑手阴谋乍现，玄魔两派均遭扫荡。玄魔两派，孰正孰邪，灵飞纪第三季为您揭开面纱。
该剧是一部描绘了电视剧制作幕后的成人恋爱喜剧，讲述两位25年前因某些原因分手的名演员，需要跨越多年恩怨再度合作演出的故事。中井贵一、铃木京香此前在其他作品中也演过恋人，包括三谷幸喜执导的“一镜到底”作品《人生小节》。收起全文d
陆仅一见到叶美景的第一眼就喜欢上了他，可奈何美景离自己又这么的遥远陆仅一的三个室友为了陆仅一操碎了心，将爱情三十六计都奉献给了陆仅一，帮她追到叶美景。可谁知，半路杀出个校花李亦柔，李亦柔的一举一动都让陆仅一感到自卑，但是陆仅一绝对不气馁，对叶美景穷追猛打，居然让学校里另一位校草级的人物张辰轩关注到了她..这可如何是好？陆仅一终究是选择叶美景还是张辰轩？李亦柔又会如何对付半路杀出来的情敌呢？叶美景还会接受陆仅一吗？