故事围绕着主人公玛丽安娜与康奈尔在爱尔兰西部小镇最后的学校时光，到两人前往圣三一学院读书的复杂生活展开。黛西·埃德加-琼斯饰演孤独、易受惊吓的玛丽安娜，新人保罗·梅斯卡尔饰演外向、受欢迎的康纳尔。
本剧改编自东野圭吾同名小说，讲述了与女儿相依为命的父亲长峰重树（竹野内丰饰），在女儿被残忍杀害后为复仇而成为杀人犯的故事。长峰重树自妻子去世后就独自扶养女儿绘摩，转眼间女儿已经读高中了。某天晚上，绘摩去打工后没有回家。长峰再见到女儿时，她已经是一具冰冷的尸体，身上还有被凌辱过的痕迹。几日后，长峰接到了一通神秘的电话，告诉了他伤害他女儿的凶手的名字和住址。犹豫再三，他决定找了过去。潜入那家人的房子后，他竟然发现了记录着他女儿被残忍虐待致死的视频。这时其中一名凶手正好回家了，长峰一怒之下杀了他。接着又开始展开对另一名凶手报复。由于杀死他女儿的两名凶手还是未成年人，因此不会被判死刑。作为一名父亲，长峰重树为女儿报仇的这种行为究竟是对是错呢？
由蔡瀚億、何啟華(Dee哥)、王智德(Alton)、李敏等人主演的《大誠實家》成為來年最受注目的ViuTV劇集，將會在賀歲檔期播出。劇情講述一位失去說謊能力的商家面對誠實與謊言的挑戰，向奪走事業及家庭的同行對手復仇的故事。Alton在活動中大爆自己將會在劇中飾演李敏的男朋友！
英国军情六处特工詹姆斯•邦德（丹尼尔•克雷格饰）这一次的任务是在赌场上赢取俄罗斯间谍手中的巨额财富，让其背后的恐怖组织势力无法达成阴谋并且击垮恐怖组织。这次，邦德有了一个漂亮的得力女助手琳德（伊娃•格林饰）。邦德经过了赌场上的种种训练，最终来到了皇家赌场。随着赌注越来越大，这场赌局也愈来愈显示出背后交错的阴谋。邦德甚至险些死于非命。 在共同的合作中，邦德和琳德不知不觉拥有了信任和默契，这种感情，将会何去何从呢？
《亚马逊的眼泪》是韩国MBC电视台为庆祝建台49周年而制作的大型纪录片，制作人员冒着生命危险深入亚马逊丛林拍摄，目睹和感受当地陌生的文明以及人类贪婪对雨林生态系统日益严重的破坏。该片耗资15亿韩元，耗时250天拍摄，并由《善德女王》的人气男星金南吉担任旁白，播出后备受好评，被誉为韩国有史以来最成功的电视纪录片。《亚马逊的眼泪》电视版播出时共分三集，后剪为85分钟的电影版在剧场播放。
A teenage boy and girl get their lives changed forever when a California wildfire awakens a terrifying supernatural creature. As the full moon rises, all teens come together to unravel the secret that connects them.
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
《密室大逃脱》是由芒果tv打造的大型益智类实景解密体验秀，由杨幂、邓伦、魏大勋、黄明昊、谢依霖、张国伟组成“密逃六子”。节目于2019年3月30日上线，每周六中午1200在芒果TV播出，每期6位玩家倾力合作，进入不同主题故事的密室，全未知、无扮演、不限时，以最真实的状态解谜逃脱，直到最终逃出密室。谜题涉及对玩家智力、创造力、 决策力、洞察力、协作力、逆行力的测试，通过观察玩家在游戏中的心理、行为表现，掀起全民动脑热潮。
《犯罪現場》以通缉犯徐糠伏尸屋事件开始，负责调查的警官林法栋（张继聪 饰）发现涉及一宗一个月前的劫案，当中同谋包括汪新元（古天乐 饰）、红毛（凌文龙 饰）与欧阳（李灿森 饰），而犯罪现场唯一目击证人是一只鹦鹉，林法栋锁定汪新元为嫌犯。不过案情卻不如想像中直接……
何坦，一个在退学边缘的学渣大男孩，因为爱上学霸女神王丹穗，在众人面前发下豪语要“全优毕业”！本就不平静的生活，还突然闯入了一个冒失鬼田甜，附带七个年龄、性格、样貌各异的“鬼朋友”，这让天不怕地不怕只怕鬼的何坦简直崩溃！他们自顾自地搅乱了他的生活，却也渐渐让何坦发现了他们可爱的一面，何坦不仅重新体会了爱情、亲情、友情，甚至悄悄地爱上了这个“小女鬼”。
到大陆休假相亲的香港秃头警探成昌，在下榻的饭店与暑假打工的警官大学的女学生柳冰冰邂逅，双方发生误会，为此，柳冰冰被宾馆经理炒了鱿鱼。两人在繁华的广场再次相遇，被电影厂的导演相中充当临时演员，无意中卷入了一起重大抢劫案。两人跟踪罪犯到一艘走私船上，在敌众我寡的情况下，成昌与柳冰冰各自施展技能，默契配合，与犯罪分子展开了一场艰苦的搏斗，最后战胜了罪犯，彻底摧毁了一个来自香港的黑社会团伙。
影片根据华大基因研究院真实事迹而创作，讲述了王建国、杨明远、赵普3位博士在国外留学期间参与了由全球基因列强组织的“人类基因组”测序，此成果获得巨大成功，震惊世界！他们怀揣着复兴中华民族的伟大梦想回国创业，成立了博大基因研究中心，由于种种原因他们在SARS病毒的测序战中惜败给加拿大科学家，赵普选择离开，远赴西藏支教……