本剧改编自累计发行数突破了120万部销量的渡边志穗同名漫画，是一部讲述了18岁的大小姐和高品格的保镖，以互相不伦的“伪装结婚”而开始的纯爱故事。拥有着绝对权力的富豪帝国“三条集团”的独生女·明花决定18岁时相亲结婚，她和从小就是自己的保镖且与三条家信赖深厚的藤宫煌(藤井饰)伪装结婚，策划了自由的恋爱等于不伦。但是，一直在身边守护着的煌，其实一直爱着明花……
「为了让来未回想起活着的感觉，我成为了人类。」春和来未过着平淡而幸福的生活。本以为会一直这样下去，突如其来的飞机事故却打破了这一切。刚吵完架还没有解开误会的来未就这么失去了至爱的春。来未失去了活下去的力气。为了找回春的笑容，来未找来了和春长相一摸一样的智能机器人。于是，来未和机器人春生活在了一起。机器人春的依靠是来未曾经写下愿望的——魔方。只要对齐魔方的颜色，就能够看到来未满溢的思念。正当机器人春和来未渐渐的接受了对方，这时却……
出品单位: 上海诗琴画映文化传媒有限公司 玛雅历上的世界末日是2012年12月21日，这一天，正是马晓苏的三十岁生日。马晓苏盯着墙上挂历，倒数着日子，距离自己三十岁生日还有一个月时间，万一那一天世界毁灭了，自己也算死得其所，跟地球一起离开这个混混沌沌的宇宙。可是他转念一想，若是这么跟着地球一起毁灭了，自己在这世上的三十年岂不是白白过了？还有一个月的时间，总得干点什么，让自己在世界毁灭之前留下点人生值得铭记的事情吧。 百无聊赖的马晓苏从抽屉深处翻出一大堆儿时的同学录、笔友信件之类的老黄历来，逐一翻阅，最后突然想起了曾经中学时代的一个梦想……
1930年代的苏州，以超凡脱俗的容貌和绝佳的昆曲造诣红极一时的得月楼歌妓翠花（宫泽里惠）嫁入当地豪门荣府，却遭遇荣家上下的冷落。荣兰（王祖贤）是荣家的亲戚，虽为女儿身却有男儿之志，一心想做巾帼英雄报效国家。翠花与荣兰结识后因合演昆曲《牡丹亭》生出情愫，终因越轨之举被荣家驱逐出门，被迫暂借荣兰处所安身。 风流倜傥的邢志刚（吴彦祖）的到来为两个女人的生活带来意外波动。因为唤醒了原始冲动，荣兰对邢志刚一见倾心，可是世事无常，落花有情难保流水就有意。而翠花眼见荣兰的移情，也只能无可奈何地黯然身伤。©豆瓣
在古代，拥有国王的卷轴是权力和荣耀的象征为了得到这些卷轴，各方势力互相残杀，战争四起。有预言说，一个纯血统的女孩会拥有权力统治整个国家。而得到了卷轴的人也将为了维护和平而战......
电影以《疾风正劲》命名，正是取自《旧唐书·萧瑀传》中“疾风知劲草，板荡识忠臣”的典故，作为一部热血献礼片，故事背景设置在1937年的上海，正值国事凋敝、外忧内患的艰难时刻，这部电影将聚焦于1937年国势积弱的当头，讲述一众青年如何奋起而抵御外敌，于乱世中筑起爱国信念的故事。
年仅六岁的小女孩栗欣，过早品尝了人世的残酷与艰辛。在她三岁那年，一场车祸险些夺去了她的命，然而之后的后遗症却带给她更大的痛苦。她失去了双手，无法长时间站立，此外更被医生早早宣判了死刑。小栗欣多么渴望能和小朋友们一起奔跑玩耍啊！又多么渴望能坐在明亮的教室里听老师讲课啊！父母竭尽所能给她无微不至的呵护与关爱，善良的李老师则顶住校方和自身的压力，将栗欣带入了期盼已久的课堂。走出自家的方寸空间，栗欣畅游知识的海洋，并感受来自周遭更多的真诚的关怀。与此同时，她也以期明亮爽朗的性格感染着每一个人…
正当镇宇（刘智泰 饰）和妍伊（尹珍瑞 饰）沉浸在新婚的幸福和快乐中时，悲剧发生了。一次意外中，镇宇成为了不能动也没有意识的植物人，面对这一噩耗，痛苦的妍伊只能擦干泪水默默的忍耐。得知了哥哥的不幸，常年在外游历的弟弟镇浩（刘智泰 饰）回到了哥哥的身边，看着镇浩那和镇宇极为相似的的脸、身体和神情，妍伊陷入了矛盾之中。 欲望的火焰一旦被点燃就不会轻易熄灭，妍伊贪恋着镇浩那熟悉的容颜，而镇浩则对妍伊的脆弱和悲惨境遇也心声怜爱，两情相悦的二人再也无法忍耐，踏过了伦理的界线。而就在此时，镇宇苏醒了，一段极为危险的气氛在三人之间弥漫开来。
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
国际足球教练在庆功派对中不幸中毒镖毙命，手上的钻石戒指“粉红豹”也随之失踪。谋杀与失窃案迅速成为关注焦点。破案重任落到总探长德雷福斯(凯文·克莱恩 Kevin Kline 饰)肩上。无奈中，他想到了最佳破案人选——探员杰奎斯•克鲁索(史蒂夫·马丁 Steve Martin 饰)。临危受命的克劳索与总探长指派的木讷探员波顿(让·雷诺 Jean Reno 饰)组合成为一对儿“黄金搭档”。克劳索将教练女友歌坛天后仙妮娅(碧昂丝·诺尔斯 Beyoncé Knowles 饰)列为首要的嫌疑对象，谁知调查时却对她一见倾心。 一路上克劳索遭遇各种勤快，钻石贩子、黑道分子、傲气足球明星、赌场老板、风情女政客，各色人物轮番登场，究竟谁才是名钻大盗？案情的进展一波三折，克劳索该如何按时侦破这桩惊世大案，同时有效提防虎视眈眈的总探长把功劳据为己有？
剧情简介:“一平方英里”是一个高度，一个被剥夺公民权的青少年生活贫苦的情感故事。不顾一切的想要一个出路，他的生活与旧隐居的田径教练的碰撞，对世界感到愤怒，对生活没有目的，与他最终形成粘结。两个被迫面对...